Features – Page 220

  • Still Game
    Features

    Still Game

    2016-10-05T17:56:00Z

    Update the titles of the long-running comedy

  • The Fall
    Features

    The Fall

    2016-09-30T13:26:00Z

    Provide picture and audio post-production on series three of the psychological thriller

  • Damned
    Features

    Damned

    2016-09-30T13:22:00Z

    Picture and audio post and house the offline edit for the sitcom

  • Car Prank
    Features

    Rank the Prank

    2016-09-30T13:20:00Z

    Provide physical effects for a series in which kids team up with a special effects expert

  • The Level, ITV
    Behind The Scenes

    The Level, ITV

    2016-09-30T11:17:00Z

    Having finally won the commission after seven years of trying, dive-bombing seagulls and disruptive jet-skiers were just some of the challenges we faced, say Polly Leys and Kate Norrish

  • cardboard
    Features

    Making money from VR

    2016-09-30T08:06:00Z

    Unlike 3D, VR offers some potentially rich revenue streams, finds Adrian Pennington

  • iPad
    Features

    The next evolution of VoD

    2016-09-30T08:01:00Z

    Broadcasters are enhancing their online platforms with more exclusive content and greater personalisation, but improving consistency is their main priority

  • jaunt_vr
    Features

    News for the millennials

    2016-09-30T07:04:00Z

    With Facebook Live, Periscope and VR, the way viewers are consuming news is changing. Nicola Smith explores the platforms and technologies taking coverage in a new direction

  • The Force Awakens
    Features

    Build it and they will come

    2016-09-29T13:11:00Z

    Having established a base for international broadcasters, media hubs are moving on to the next phase: embedding industries from the wider digital economy, writes Adrian Pennington

  • Love Island
    Features

    Going for international gold

    2016-09-29T10:30:00Z

    The UK indie sector has attracted huge foreign investment over the past few years. But does that help or hinder its performance on the international stage?

  • Youtube
    Features

    How to win a YouTube Red deal

    2016-09-22T07:16:00Z

    Head of content Alex Carloss calls on UK indies to pair up with online creators

  • Red Dwarf XI
    Features

    Red Dwarf XI

    2016-09-22T12:14:00Z

    Provide picture, audio post and VFX on the returning comedy

  • obesity_1
    Features

    Obesity: The Post Mortem

    2016-09-22T11:57:00Z

    Complete full post-production on a one-off documentary

  • paranoid
    Features

    Paranoid

    2016-09-22T11:53:00Z

    Grade and audio mix for the eight-part thriller

  • Conviction: Murder At The Station
    Features

    Conviction, BBC2

    2016-09-22T09:58:00Z

    First we had to set some ground rules to ensure we got the kind of cinematic, high-stakes documentary we wanted. Then we had to find the right case, says Richard Bond

  • Hooten and the Lady
    Behind The Scenes

    Hooten and the Lady, Sky 1

    2016-09-16T12:35:00Z

    Production on our action romp took us around the world in search of adventure, says Simon Winstone

  • Mammoth Screen
    Features

    Timmer & Keane, Mammoth

    2016-09-15T07:23:00Z

    Mammoth Screen’s husband-and-wife team begged Kevin Lygo to avoid a Victoria-Poldark clash - but both shows have become Sunday night winners, they tell Robin Parker

  • National Treasure, Channel 4
    Features

    National Treasure, C4

    2016-09-15T07:20:00Z

    Three weeks’ rehearsal is a luxury in TV - but on a series dealing with historical allegations, it was essential in helping the cast build their characters’ shared past, says writer Jack Thorne

  • Alex Mahon
    The Broadcast Interview

    Alex Mahon, The Foundry

    2016-09-09T08:00:00Z

    The Foundry chief executive Alex Mahon tells George Bevir what she has been doing since she joined the software firm 10 months ago, and why she believes VR will succeed where 3D failed

  • Obesity - The Post Mortem
    Features

    Obesity - The Post Mortem

    2016-09-08T08:20:00Z

    Filming a post-mortem for BBC3 took us on a long and emotional journey, but the result is an eye-opening documentary, says Melanie Archer