More News – Page 461
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BBCS-backed Rapid Blue appoints chief exec replacement
Co-founder Duncan Irvine steps down after 30 years at South African indie
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Drama boxsets gather pace
3Vision finds that 57% of scripted shows were released in their entirety following their linear launch last year
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Camera technicians apprenticeship scheme expands for second year
The scheme aims to tackle the skills shortage in the industry
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In brief: Disney+ acquires MetFilm doc; Netflix re-orders THTH
Jerry Rothwell’s neurodiversity feature The Reason I Jump will launch on World Autism Awareness Day
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In brief: Christlieb returns to BBCS UK; All3M International Singapore reshuffle
BBCS ANZ head of branded services becomes senior vice president programming and marketing, branded services, EMEA
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Discovery serves up double order of Be My Guest
Pacific TV’s Ina Garten series gets two-series recommission ahead of March launch
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Plus-sized docs emerge at C5 & C4
Firecracker’s Larger Than Life to offer a joyful take on the topic, as Michael Mosley and Avalon delve into the obesity crisis
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Versa opens Manchester ‘studio in the sky’
BBC1’s Morning Live is moving to the space from London
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BBCS comedy head: genre lines are blurring
Josh Cole considers great writing transcends sub-genres
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MGM signs Mentalist star in first-look deal
Plans to develop scripted projects with international focus
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Left Bank exec joins eOne as scripted creative director
Sharon Hughff will take over slate including Paramount+’s A Gentleman in Moscow
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Post-production uncovered: One Of Us on The Matrix Resurrections (feature)
One Of Us created over 200 VFX shots for the film
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Series Mania unveils podcast TV development session
Clerkenwell Films’ The Birth of Daniel F. Harris and Sister’s The Baby in contention for international prize
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Grayson’s Art Club scores Jubilee special
Swan Films to produce one-off doc as part of C4 celebrations
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ITV eyes five Black History Month films
Broadcaster seeks filmmakers to launch Fresh Cuts strand
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ScreenSkills uncovers ‘acute’ unscripted staffing challenges
Report identifies production coordinator, production manager, editor and series producer roles as hardest to recruit