Opinion
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Comment: Why you should go all-in on D2C fan engagement in 2025
Paolo Cuttorelli, SVP of global sales at Evergent, believes the next 12 months are the right time to dive in
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Sticking to the old systems won’t solve TV’s harassment problem
The burden on freelancers to call out bad behaviour is too great – so things need to change, writes Philippa Childs
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Scott Bryan: Why is it so hard these days to find something to watch?
There’s an abundance of choice, but navigating endless platforms is tedious. What we need is Project Kangaroo 2.0
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Self-funding shows: If you build it, will they come?
Blue Ant’s Ben Barrett on balancing the stress & success of financing shows
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Kate Bulkley: C4’s YouTube strategy is a lesson in youth engagement
The broadcaster has shifted its mindset to harness the power of a company previously considered a rival
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What next for Lineker and MOTD after the long goodbye?
Tim Jotischky, divisional managing director of reputation at The PHA Group, looks at how podcasting has changed Lineker’s career
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Commissioners and producers need a reset in relations
With a disconnect between tariffs and editorial ambitions, the industry’s key creative relationships feel increasingly fraught, says Chris Curtis
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Hints of optimism after a tough period
Commissioners in our survey see signs that the market is improving
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The Basics: why is a green room called a green room?
Danny Owens, client services coordinator at dock10, takes a look at one of the most well known terms in the industry
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Comment: why broadcasters & streamers should partner as subscriber ceiling approaches
Guy Meyers, director of customer success at Recurly, looks at how the pair can work together
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Netflix, DAZN & the future battle for viewer attention
Daniel Apostolos is a senior account director at The PHA Group, gives his predictions for the future of live sport after Netflix made its first major broadcast
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The future of intimacy coordination: beyond scripted TV
Dating Naked intimacy consultant Tommy Ross-Williams outlines their role on the MTV format and why it could be beneficial for the unscripted arena
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World TV Day: What will the future of TV look like?
Figures from across the industry give their view on the future of the medium
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Comment: It’s time to bring more influencers into sport broadcasting
Alma Fabiani, head of content at Screenshot Media
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Comment: Why I believe remote working is the future of post-production
Steve Good, technical director at Hireworks, explains why he believes post-production houses will need to continue to expand remote working
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Comment: AI & automation are key to the future of sport broadcasting
Spiideo co-founder and CEO Patrik Olsson believes AI can save budgets and allow for lower-tier leagues to boost quality
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Why & how VFX could use the tax rebate to boost diversity & inclusion
Simon Devereux, director and founder of Access:VFX, gives the case for using the money raised to encourage underrepresented talent into the industry
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Jack Thorne: let's think twice about using ‘showrunner’
Writer urges industry to take Tim Davie’s concerns about the term ‘talent’ a step further
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The opportunities for podcasts in women’s sport
Louise Gwilliam, talent director at podcast production house Crowd Network, outlines how brands and teams can take advantage
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James Durie: How a Leonard Cohen biopic became a case study in co-pro
For So Long, Marianne, Cineflix had to bring on board 16 different funding partners to get the project over the line