All Post Production articles – Page 6
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NewsCoffee & TV hires Lewis Crossfield as senior colourist
Crossfield joins Simona Cristea, George Neave and Tash Hicks at creative studio
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NewsVirtual Post appoints Beasley-Swanson head of picture
She had been a senior colourist and online editor at The Finish Line
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NewsPost-production uncovered: MPC on Guillermo Del Toro’s Pinocchio (Netflix)
VFX studio provided over 650 shots, including CG environments, stylized FX simulations and CG crowd simulations
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FeaturesBest post-production house: Halo
‘Judges praised Halo’s creative, solution-focused approach to clients but, most importantly its culture’
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NewsRacoon installs Baselight Two following Enge Gray hire
The Baselight Two grading system is paired with a Blackboard control panel
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NewsDiversity challenge in tech blamed on ‘hidden’ nature of roles
Industry figures sound out about absence of post-production schemes for new talent
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NewsThe Future of Post-Production - free 12-page magazine
The Broadcast publication includes expert analysis and insight into the challenges and opportunities in the UK post-production sector
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NewsETC installs storage for longform & episodic expansion
Filmlight’s Flux Store installed for post-production house
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NewsAnne-Louise Buick joins Telestream as global marketing lead
She moves to Telestream after five years at Avid
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NewsPost-production uncovered: BlueBolt on My Policeman (Prime Video)
VFX house delivered 152 shots for 1950s drama starring Harry Styles and Emma Corin
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NewsFifty Fifty receives B Corp certification
The certification recognises workplaces that have a positive impact on staff, clients, suppliers, the community and the environment
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NewsPost-production uncovered: Storm on Hans Zimmer: Hollywood Rebel (BBC)
Picture finishing editor Paul Ingvarsson reveals the work behind bringing the composer’s story to screen
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NewsRacoon hires Enge Gray as senior colourist
The highly experienced colourist will be based at Racoon’s Margaret Street office
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NewsNineteentwenty launches TV and film VFX department
VFX house Nineteentwenty, which has previously focused on providing visual effects services for brands, agencies and production companies in advertising, has expanded its focus to TV and film VFX. The London and Bristol-based company’s new Film and Episodic VFX Department is headed up by James Etherington-Sparks, who ...
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NewsPost-production uncovered: Lux Aeterna on Our Universe (Netflix)
VFX house worked with the BBC Studios Science Unit on the six-part docuseries
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CommentUsing Dolby Atmos to distribute production music
Garry Judd at Artful Production Music explains why libraries should look to offer Dolby Atmos music mixes
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NewsTerritory Studio opens new London HQ
The graphics and VFX specialist has moved into a 1,644m² office near Farringdon
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NewsGoldcrest recruits senior colourist Vanessa Taylor
She joins in January 2023 and will work out of Goldcrest’s Lexington Street facility
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NewsHalo to promote Sutherland-Smith to MD
Former MD Marcus Bayley will move to finance director role