All Post Production articles – Page 9
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NewsSplice recruits dubbing mixer Luke Hodsdon
He joins from The Farm Group/Picture Shop and his first project at Splice is All or Nothing: Arsenal
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CommentThe beauty of a busy facility
Andrew K Moodie, lead editor at Woodcut Media, explains why facility-based editing works wonders for your career development
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NewsClear Cut makes staff promotions and a new hire
It has promoted Ben Salkeld and James Lee and taken on Kate Lever
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NewsRacoon opens post-production house in Margaret St, London
It’s the company’s second building and opens a year after the company first launched
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NewsDigital Orchard adds Jo Barker as colourist
Barker has previously worked with the company as a DIT and dailies colourist
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NewsMethod Studios’ Melbourne office rebranded Framestore
The move marks the final phase of Framestore’s integrated with Method Studios
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NewsPost-production uncovered: Company 3 on Our House (ITV)
Post house oversaw delivery of the conform, grade and finish for four-part series
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NewsPost-production uncovered: Twickenham Film Studios on Top Gun: Maverick (feature)
Final sound mix for Paramount Pictures’ blockbuster was completed during the pandemic
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NewsEnvy opens third Dolby Atmos studio
The room has been designed to match the specifications of Envy’s two existing Atmos suites
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FeaturesCreative Review: Wild living, aliens and sharks
UK post houses’ best recent work, from youngsters roughing it in the wilderness to extraterrestrial visitors and stunning underwater photography
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NewsHalo bolsters team with three producer appointments
Jess Netley, Finlay Macauley and Emily Dutton have all become producers at the Soho post-production house
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NewsEnter now: Broadcast Tech Innovation Awards 2022
The Awards return for a fourth year, with new categories and a focus on post-pandemic innovations
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NewsFifty Fifty announces senior staff changes
Michael Sienczak joins as head of technical operations while Joe Stabb is promoted to head of creative DI
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News160TB version of SymplySPARK released
The drive promises fast, reliable, high-capacity storage at a fraction of the cost of SSDs
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NewsPost-production uncovered: Vine FX on The Lazarus Project
Vine FX delivered 890 VFX shots for eight-part series
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NewsRacoon takes on Meryl McLaren as commercial director
She joins the post-production platform from Gravity Media
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NewsPost-production uncovered: Company 3 on Peaky Blinders (BBC)
Company 3 handled colour for the final season of the iconic show
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NewsErika Burton joins DNEG Animation as president
She was previously president of VFX Production at DNEG