TV critics – Page 71
-
CriticsThe Countess and the Russian Billionaire
“If ever a title undersold its dynamite content this one did. It was extraordinary; a Jeremy Kyle Show for the 1 per cent.”
-
CriticsKilling Eve
“If series two was the difficult second album, then series three is the middle-of-the-road comeback”
-
-
-
CriticsGordon, Gino and Fred: American Road Trip
“Only one moment in the entire hour-and-a-quarter felt even faintly unrehearsed”
-
CriticsSave Me Too
“It speaks to the power of this drama that, more than any other show on TV right now, you would give anything for this one to have a happy ending”
-
CriticsThe Trip to Greece
“The streak of melancholy was always what pushed The Trip beyond its frippery, so I guess this was the ending it deserved all along”
-
CriticsThe Real Michael Jackson
“This has much more in common with Louis Theroux’s 2016 Savile film than Leaving Neverland”
-
CriticsFriday Night Dinner
“The gently surreal writing and note-perfect performances made eliciting laughter look effortless when, of course, it’s anything but”
-
CriticsBorn to Be Different
“The series has been powerful because it has never sugar-coated the experiences of these families”
-
-
-
-
-
CriticsMark Kermode’s Secrets of Cinema
“Another informative, funky film lecture from the heavyset dude in the dark suit and tie, with the grey quiff and heavy-rimmed glasses”
-
-
-
-
-
CriticsChild of Our Time: Turning 20
“This should have been a three-part series at least, not a one-hour rush job.”


















