All articles by Barclays – Page 2
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SponsoredThe value of good mental health
Why the mental health of employees and freelancers is vital to UK film and television
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SponsoredSupporting the evolution of TV
With 30 years’ experience, Barclays specialist media team is continuously evolving to keep pace with a rapidly changing production industry
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SponsoredCreating an Uproar about threatened wildlife
Conservationist and TV presenter Chris Morgan reveals how he has turned his passionate wildlife expertise into a content production operation
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SponsoredThe best of the best
What makes the production companies nominated for Best Independent Production Company at the 2020 Broadcast Awards stand out? Click through to find out
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SponsoredWhy Disney’s streaming gamble is paying off
Years spent investing in top-notch IP and technology has armed Disney+ with the tools to win the streaming wars, says Tom Dods
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SponsoredWomen in TV: new talent in conversation
Emerging writer-director Tiana Linden and screenwriter Lauren Bishop reveal what inspires their work and their biggest achievements to date
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SponsoredStreamers lure advertising revenue
Broadcaster VoD services are attracting advertisers as audience measurement improves, OMD’s Carl Connaughton tells Tim Dams
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SponsoredJane Featherstone: I’m in the business of people
WFTV Business Award winner tells Tim Dams why focusing on real issues is the key to creating stronger dramas
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SponsoredHow productions avoid safety hazards
Managing the many safety risks involved in complex productions requires a systematic approach and needs early planning, says Jamie Fewster
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SponsoredGlobal production: the big questions answered
Barclays’ Lorraine Ruckstuhl and Tom Dods explore the BI Global TV Production Map 2019 and assess the implications of consolidation
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SponsoredHow much TV can one person watch?
Netflix’s first-mover advantage over new SVoDs rivals may give it the edge in the saturated world of content, writes Barclays’ Tom Dods
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SponsoredBrexit checklist: what you need to know
Barclays’ Lorraine Ruckstuhl provides a useful step-by-step guide of what producers must consider if the UK exits the EU
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SponsoredFixed rig: the rise of the robot
Developments in technology and kit price drop are driving advances in fixed-rig camera techniques, says Gavin Smith
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SponsoredMore must be done to encourage women into media
The industry is improving but still needs to invest time and energy into increasing the female work force, says Lorraine Ruckstuhl
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SponsoredHow will a no-deal Brexit impact broadcasting?
The UK’s television business and wider creative industries must be protected if a no-deal Brexit materialises, writes Tom Dods
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SponsoredMaking large-scale factual production simple
The challenge of planning and production of complex, large-scale scale programmes is tough, but there are several shortcuts, writes Gavin Smith
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SponsoredSVoD production finance and the role of a modern media banker
Tobias Jaeger talks to Barclays’ Lorraine Ruckstuhl about her career journey and supporting the media sector
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SponsoredBiofuel: turbocharging TV’s sustainability push
Renewable energy can be a straight ‘drop-in’ replacement for diesel used in generators, writes Lorraine Ruckstuhl
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SponsoredEnsuring your insurance policy works
Understanding the complexities of insuring a production properly is vital and companies like Integro can help, writes Barclays’ Richard Woolford
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SponsoredRogan's pursuit of purpose and integrity
The husband and wife team behind Rogan Productions on why they aim for productions of purpose, perspective and craft