All Comment articles – Page 65
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CommentBlind Date points to C5 ambition
Reboot of classic format takes broadcaster into new territory
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CriticsJo Cox: Death of an MP; The Baby Boomers’ Guide to Growing Old; Tried and Tasted
“It is a thorough and forensic exploration – engrossing, worrying, but mostly just really sad.”
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CommentSteve Hewlett memorial fund launches
Scholarships will support journalism students from lower income families
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CriticsFearless; The Art of Japanese Life; Amazing Animal Births
“After a barrage of psychological dramas, it feels quite refreshing to be watching something that acknowledges a wider world and works with a broader palette.”
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CriticsThe Loch; Poldark; The Handmaid’s Tale
“The grisly murder mystery weaves together an inconceivable plot with more daft turns than a Highland reel.”
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CriticsAckley Bridge; The Met; Eat Well for Less?
“Ofsted may never label Ackley Bridge outstanding but the viewers will.”
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CommentDigital media is starting to bite
Creative solutions are needed to combat declining linear audiences
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CommentC4 ripe for a creative overhaul
Exit of Hunt gives new chief Mahon licence to revamp structure
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CommentFilmmakers must ask the right questions
Derren Lawford suspects youth docs are missing the real issues
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NewsDoc/Fest celebrates physicality of film
Festival director Liz McIntyre on capturing non-verbal narratives
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CriticsLord Lucan: My Husband, The Truth; Cosby: Fall of an American Icon
“The most jaw-dropping, OMG did-you-see TV of the night.”
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CriticsSgt Pepper’s Musical Revolution; Cardinal; Britain’s Got Talent
“Broadcaster Howard Goodall did a grand job of explaining why the famous Beatles album is viewed as a game-changer for music.”
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PodcastElection special with Matt Forde
Interview with Matt Forde, host of Dave’s satire show Unspun
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CriticsTV Critics: Catching a Killer; Frank Skinner on Muhammad Ali; The Great Village Green Crusade
“Made-up mysteries will never go out of fashion but shows like this prove true crime is just as powerful.”
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CriticsFargo; 24 Hours in A&E; The Great Fire
“With its sly wit and visual flair, the third series of Fargo is already shaping up to be the best yet.”
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CommentDocs can move us in a way that scripted series can’t
Films like Exodus humanise issues to which audiences can feel numbed, says Lilla Hurst
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CommentReality trumps drama in the story of the OJ Simpson trial
Patience and hindsight give the documentary an electrifying power
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CommentRace shouldn’t prevent big stories from being told
The accusations against Bill Cosby are too shocking to be ignored, says Lucy Pilkington
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CommentDon’t neglect sensitivity for speed
Trust, tenacity and a talented team are key on a fast-turnaround doc, says Ian Rumsey