Comment – Page 11
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How we're preparing to broadcast the 'biggest' music festival
The Biggest Weekend is unlike any live music event the BBC has put on before, says Alison Howe
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Bring back the Seaside Special
Summer telly used to be something to look forward to – not any more, says Steven D Wright
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Why my series took a decade to get commissioned
Navy warship docs had to wait until the time was right, says Chris Terrill
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Entertainment is alive and kicking
Discipline, collaboration and hard work over a long gestation period are key, says Peter Salmon
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Why C5 put housing centre stage
From Grenfell to our partnership with Crisis, it was beholden on us to tackle the biggest issue facing modern Britain, says Guy Davies
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Going gets tough for Aussie docs
Ambition remains intact but securing financing is increasingly hard, says Lilla Hurst
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Time to step up a gear on sustainability
We must make tougher demands of our suppliers, says Howard Ella
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The rise of Asian factual production
The continent is increasingly open to co-pros, says Julian Chou-Lambert
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Comedy must risk causing offence
If we are to challenge prejudice, we need to be able to push boundaries, says Louise Holmes
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How a TV doc became a West End show
Jes Wilkins and Jenny Popplewell on changing minds and lives with Jamie: Drag Queen At 16
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Making the step into high-end drama
What increased demand for high-end TV productions means for skills training
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Sky facing crucial tipping point
Bold new drama slate offers best chance of securing a breakout hit
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Letting the screen convey the truth
Following last night’s Research in Film awards, judge Jan Dalley discusses TV’s power to convey information
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How envy inspired a hit comedy
Taskmaster was conceived as a way to get my own back on my friend Tim Key, says Alex Horne
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BBC is bringing the music show into the 21st century
Today’s young fans demand much more than a chart rundown, says Jan Younghusband
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Sky has a lot to prove in light entertainment
Broadcaster’s new singing format needs to hit the ground running, says Stephen Arnell