Comment – Page 21
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Why Shoot The Company launched a new studio for short-form
Shoot co-founder Henry Wilks outlines the vision behind Creative Shoots
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BBC and C4 must fight for their future amid political turmoil
A grown-up debate is required – but will the circumstances allow for a nuanced and intelligent exchange?
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Top marks to Strictly for putting inclusivity at its core
The BBC1 show is leading by example, but now the rest of the industry should follow suit, says Fatima Salaria
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Talent shines bright in a record year
‘It is reassuring to know that for the stars of the future, talent and kindness are compatible attributes’
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Lorraine Heggessey: Documentary-makers are still pushing the boundaries
As the 50th Grierson Awards shows, the genre is in great shape, but fresh voices are needed if it is to continue to flourish, says Lorraine Heggessey
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Jules Hussey: why I quit producing
Ralph & Katie and Guilt producer sets out her reasons for focusing on fledgling indie Brazen
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Derek Drennan: retaining the best production management talent
Retaining production staff is a growing challenge, and will require a shift in employer approach
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Netflix hastens ad-supported plan to take on Disney+
GlobalData, the new owner of Broadcast / MBI, expects budget-conscious consumers to embrace Basic with Ads tier
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Mipcom returns bigger and bolder
International editor John Elmes highlights which programmes are likely to make biggest splash in Cannes
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Going for Broke: a tricky path from football to TV
Marvin Sordell on breaking the stigma of footballers being solely focused on the game & how life experiences can translate into fresh takes in TV
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The industry must protect its ability to collaborate across Europe
Director Alex Jacob argues European co-production is a brilliant experience - but Brexit is making it difficult
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Steven D Wright: why is telly so shit?
30 years to the day after taking his first job, the producer asks how TV became a bland landscape of elves, celebrities and cheesemaking
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The Queen’s funeral was a TV production masterclass
As King Charles III takes his place on the throne, the global audience’s appetite for royal stories will only grow, says Nick Bullen
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Growth returns but sector feels economic pinch
“Fighting consolidation and competing for programming, a growth story is a good story and UK distributors have stepped up once again”
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Pitching shows in the US is a whole new ball game
I’ve had to quickly master new terminology and working practices in a country where the deal is king, says Roy Ackerman
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Mipcom returns in full force to an industry in a state of flux
The production boom continues apace, but industry is grappling with a raft of new challenges
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Marcus Ryder: Queen’s death has exposed UK media’s diversity problem
‘At important national moments such as these, it is vital that the whole country is represented in all its diversity’
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How cloud can help the skills shortage
Jon Raidel, global center of excellence lead, live production in the cloud, at Vizrt, on how cloud production could help ease the current staffing issues
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Production managers have been forgotten - again
Bafta’s ’Behind Every Bafta’ advert continues a long tradition of overlooking production managers’ contribution to the industry, says Joe McDermott
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Revivals can give broadcasters the edge over SVoDs
Debates over the ’laziness’ of reboots dominated Edinburgh but Scott Bryan argues familiar formats can be challenging and rewarding