Comment – Page 61
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CommentBoom in audio on-demand offers opportunities for all
Like Serial and My Dad Wrote A Porno, the next big hit will start here, says Adam Uytman
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CommentThey thought it was all over…
C4’s experiments with ‘contextual’ advertising put TV back in the game, says Kate Bulkley
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CommentTaking celebrity travelogue into uncharted territory
Our Russia and North Korea films mark a big step forward for ITNP, says Will Smith
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CommentBFI fund puts kids’ TV at crossroads
Proposals must have buy-in from all PSBs for a chance of success
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CommentTime to put kids directors in the spotlight
Bafta’s new category is long overdue, say Darcia Martin and Delyth Thomas
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CommentKids’ genre is turning a corner
Contestable Fund and government support are reasons to be cheerful, says Anna Home
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CommentDrama heads have lost the plot
TV schedules are stuffed with glossy shows with nonsensical stories, says Steven D Wright
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CommentReshaping broadcast services for the modern age
How an established broadcast communications infrastructure provider is re-designing its services for the digital age
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CommentPartnerships key in digital world
Scale and depth of catalogue is what matters for online viewers
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CommentHow to write a one-page drama pitch
Award-winning writer Dominic Carver offers his top tips for catching a commissioner’s eye
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CommentMaths Men are the new Mad Men in a data-driven world
Cannes Lions shows where the power lies in the advertising industry, says Kate Bulkley
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CommentDrama strategy needs a rethink
As production costs rise, free-to-air broadcasters will struggle to compete, says Simon Cornwell
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CommentStudio Lambert: 10 years in the making
As Studio Lambert reaches its 10th anniversary, founder Stephen Lambert considers some of the indie’s most pivotal shows
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CommentAnalysis: Different paths to growth
In the first of a regular series, Jonathan Broughton surveys broadcasters’ investment strategies
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CommentDiversity needs to go hand in hand with representation
Storytellers from different backgrounds are key to creating authenticity, says Alex Lamb
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CommentFemale directors have it tougher than they used to
Trend for freelancing makes having a family much more difficult, says Katie Buchanan
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CommentDiversity key to representation
Widening the workforce will lead to more nuanced programming
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CommentEU directive will protect UK producers post Brexit
British firms have nothing to fear from the proposed content quotas, says Ingrid Silver
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CommentImproving sustainability in TV must be a team effort
How we behave both on and off screen can make a real difference, says Philip Holdgate