All Features articles – Page 95
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The Broadcast InterviewNeil Grant, Films of Record
Films of Record managing director Neil Grant tells Robin Parker about the streak of anarchy and love of provocation and playfulness that have marked his career in groundbreaking TV
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Behind The ScenesCity in the Sky, BBC2
Russell Levin highlights the challenges of trying to film 300 tonne aircraft taking off from the coldest city on earth.
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FeaturesCreative Access: Building a diverse workforce
Creative Access has been organising internships for young BAME talent for the past three years. Former trainees and their employers tell Ann-Marie Corvin what it has done for them
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FeaturesMaking of a series producer
Producer/director Sreya Biswas is one of 19 delegates selected by Creative Skillset for training to become a series producer. Here she finds out what it takes to make the grade
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FeaturesDaytime battle: ITV gains ground on BBC1
Commercial broadcaster is showing marked improvement in daytime, with audience share up 5.6% at the BBC’s expense. Stephen Price reports on the key battlegrounds
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Behind The ScenesBattle of Jutland: the Navy's Bloodiest Day, BBC2
What started as a personal story for executive producer Liz McLeod became a technical jigsaw puzzle for director Alicia Aarce
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FeaturesFocal International Awards: winners
Broadcast takes an in-depth look at some of the winners and shortlisted entries in this year’s Focal International Awards - including Firelight Films’ The Black Panthers and On The Corner’s Amy.
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Behind The ScenesNeil Gaiman’s Likely Stories, Sky Arts
The trick to adapting four unconnected short stories from the pen of cult author Neil Gaiman was to give them a ‘shared grammar’, directors Jane Pollard and Iain Forsyth tell Olly Grant
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Behind The ScenesLast Whites of the East End, BBC1
We warmed up many of our contributors over a pint - but we had to out ourselves as lightweights, says Kelly Close
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FeaturesC4’s F1 ambition: personality over technicality
As Channel 4 gears up to cover the Monaco Grand Prix this weekend, Broadcast reporter Miranda Blazeby went behind the scenes in Barcelona to find out how the broadcaster is shifting the focus from technicalities to personalities.
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Behind The ScenesLove, Nina, BBC1
Our fictionalised take on Nina Stibbe’s book tries to shine a light on the every day with wit, heart and visual flourish, says Jamie Laurenson
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FeaturesObject-based broadcasting
Interactivity in live sport and music broadcasting could be the next game-changing technology upgrade, says Adrian Pennington
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Behind The ScenesHetty Feather, CBBC
Convincing children that ‘old stuff ’ is worth watching is one thing; curbing contemporary slang on set is quite another, discovered David Collier
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FeaturesNations and Regions: local TV
The brainchild of former culture secretary Jeremy Hunt, local TV got off to a less-than-stellar start. Where do the surviving channels sit in the broadcasting ecology? asks Stephen Arnell
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FeaturesNations and Regions: post industry goes west
Along with Salford, Bristol is booming thanks to a busy BBC slate, leaving the likes of Liverpool, Leeds and Birmingham playing catch-up. Adrian Pennington reports
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Behind The ScenesChildren On The Frontline: The Escape, C4
Revisiting a family trying to escape the conflict in Syria presented many challenges, says Marcel Mettelsiefen. But the hardest was balancing the roles of friend and film-maker
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The Broadcast InterviewJohn Hay, C4
Channel 4 arts commissioner John Hay tells Robin Parker why he wants artists to tackle ‘front-half-of-the-paper’ topics. Plus: Pegah Farahmand on supercharging Random Acts
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Behind The ScenesLord Montagu
How did a Texan come to make a feature-length doc about an aristocrat he had never heard of? Luke Korem explains
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Behind The ScenesBen Fogle: The Great African Migration, C5
Capturing a year in the life of four wildebeest over just 40 days’ filming was no small undertaking, discovered Natalie Wilkinson
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Behind The ScenesFlowers, C4
We found the perfect dilapidated old building to match the ‘otherness’ of our characters’ world - but filming upstairs carried a risk that the floors might collapse, says Will Sharpe