All Features articles – Page 42
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FeaturesSilverpoint: Imagining the impossible
Series producer Trevor Klein on bigger expectations and a bigger budget for series two
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FeaturesFirst look: Mary & George, Sky Atlantic
Hera Pictures’ seven-part series airs later this year
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FeaturesGallery: Ten Pound Poms, BBC1
Selection of images from Eleven drama set in 1956 following the Brits who are charged just £10 to head to Australia
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FeaturesBBC’s biggest week: Kate Phillips and Martin Green on Eurovision
Unscripted director and Eurovision chief on producing a momentous musical spectacle a week after the Conoration
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FeaturesContent Summit: What's the game plan with social media?
Three leading sports content makers on how they produce engaging films for social media platforms and the best way to hook the target audience
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FeaturesEnd Credits: Rob Butterfield
The head of Ricochet, Glasgow, on Cowboy Builders and finding a sex dungeon
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FeaturesThe regional SVoDS taking on the big guns of streaming
In a David vs Goliath scenario, regional streamers are going toe to toe with the giants of the industry and holding their own
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FeaturesN&R indies call for greater commissioning autonomy
While broadcasters’ nations and regions push is praised, decision-making is still seen as too Londoncentric
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FeaturesAnalysis: Grabbing a slice of online original content
With online platforms stepping back from ordering original content, what are the opportunities for indies working in the space?
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FeaturesBroadcast Indie Summit: Indies raise concerns over mid-market squeeze
Fears over dwindling appetite for mid-priced shows as broadcasters focus more on cut-through or low-price content
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FeaturesBroadcast Indie Summit: Amazon reveals all
The SVoD giant’s full UK team offer insight into its commissioning strategy
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FeaturesFirst look: The Gallows Pole, BBC2
Shane Meadows’ series, produced by Element in association with Big Arty, is based on Benjamin Myers’ book
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FeaturesThe US writers’ strike: What will it mean for the UK industry?
British peers show solidarity with fight for fair pay
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FeaturesHow an ageing professor inspired James Reed’s latest Netflix epic
Oscar winner embraced the drama of handheld cameras to keep up with battling chimps
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FeaturesThe Missing Heiress: Betrayals In The Riviera
‘The originality of the series is the Shakespearian element of betrayal and tragedy’
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FeaturesSilence, language barriers and crime syndicates: the making of The Good Mothers
First director Julian Jarrold explains the challenges of filming a drama about the mafia in their own back yard
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FeaturesThe Man Who Played With Fire
‘It’s visually impressive, narratively captivating and will have viewers hooked’
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FeaturesThe Last Secrets Of Humankind
‘It’s a high-quality production where you can see the budget on screen’
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