Features – Page 171
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FeaturesTV squares up to the EU
Plans for a Digital Single Market are being resisted by industry bodies including Pact and the Motion Picture Association. Kate Bulkley examines how the Brexit vote could affect the outcome
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FeaturesKids' factual panel: giving children their voice
A panel of documentary makers at Sheffield DocFest shared their insights on making documentaries for youngsters and letting them film themselves.
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FeaturesCall Me Martina
Post-production of the 1 x 60-minute documentary about tennis legend Martina Navratilova.
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FeaturesThe Hand of God: 30 Years On
Post on a 60-minute doc that relives one of the most iconic moments in football history: the 1986 World Cup quarter-final between England and Argentina.
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FeaturesIt's Not Me, It's you
Design the branding, titles and game-play graphics for a comedy panel show that looks at the world of relationships and pits two teams of celebrities against one another in a series of challenges.
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FeaturesDebate: Impact of the scripted boom
Broadcasters and indie chiefs gathered at the Media Summit to discuss issues such as the rise of SVoD services Netflix and Amazon - and what the future holds for the genre
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FeaturesDrama heads down 4K route
Netflix and Amazon are leading the charge into 4K/UHD, and producers are preparing for the transition, but the added cost of post-production is a concern.
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FeaturesBorn On The Same Day, C4
Tracing the lives of celebrities and ordinary people born on the same day brings a fresh approach to the biography format, says Laura Mansfield
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FeaturesThe Land Of The Enlightened: review
In The Land of the Enlightened, armed bands of children in the high plains of northeastern Afghanistan survive on scavenging and stealing.
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FeaturesThe Settlers: review
“I am a settler, yes,” says a longhaired Israeli man, with a broad and revealing smile. “I love this land, and I hope to be bound to it until I’m buried in it.”
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FeaturesSour Grapes: review
In recent decades, wine has become the investor’s best friend. Forget gold, art or jewels, there is more profit in a Petrus than a Picasso.
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FeaturesAttenborough: BBC has an incomparable responsibility
Sir David Attenborough has spoken out about the value of the BBC as part of a wide-ranging conversation at Sheffield Doc/Fest, during which he reflected on his six decades in broadcasting.
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FeaturesDoc/Fest: YouTube offering opportunities for minority voices
Diversity panel discussed emerging opportunities for minorities, defying stereotypes and pushing boundaries.
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FeaturesDoc/Fest: VR projects highlight migrant crisis
Screen spoke to Sheffield Doc/Fest curator Mark Atkin to discuss the Alternate Realities programme.
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FeaturesKen Loach: keeper of the flame
Interviewed in the Wardour Street offices of his company Sixteen Films on a damp June morning, Loach is still clearly delighted at having won his second Palme d’Or last month for I, Daniel Blake.
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FeaturesDoc/Fest: British Council welcomes Palestinian delegation
The British Council partners with FilmLab: Palestine to send five Palestinian delegates to this year’s Sheffield Doc/Fest. “We aim to support new voices and younger talent,” notes Suha Khuffash, Arts Programme Manager, British Council Palestine.
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FeaturesIndia In A Day: review
Following in the wake of Life In A Day (2011), Japan In A Day (2012), Christmas In A Day (2013), Italy In A Day (2014) et al, India In A Day emphatically proves there is still mileage in creating a snapshot of a country through videos contributed by its citizens.
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FeaturesSerena: review
“Pressure is a privilege,” is the mantra that tennis champion Billie Jean King has bequeathed to Serena Williams, and the world’s number one tennis star never felt that pressure as keenly as she did during the 2015 season.
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FeaturesThe Confession: review
History is in the eye of the beholder in The Confession, a detailed, wide-ranging interview with Moazzam Begg, a former British detainee at Guantanamo Bay.