Features – Page 244
-
FeaturesBroadcast TECH Index: post-production survey of UK's top shows
A comprehensive survey of the facilities and kit used to post produce some of the UK’s highest-rating shows.
-
FeaturesThinking outside the suite
A raft of cloud technology is changing the face of post production, offering everything from editing to storage, and allows a flexible approach to content production.
-
FeaturesFact Ent: In-house facilities come to the fore
Quick turnaround times and a keen eye on the budget often mean that productions prefer to post in-house
-
FeaturesFactual: Flexibility the key to success
Complex workflows and variety of cameras used in factual shows means post-production companies need to be as versatile as possible
-
FeaturesScripted Comedy: Specialised post firms lead the way
Despite the popularity of all-in-one deals for drama, those in comedy still favour separate audio and pictures post facilities
-
FeaturesDrama: Technicolor tops facilities charts as DS dominates
Avid’s finishing system is still the go-to software, but post houses are starting to seek alternatives as the sector enjoys a boom time
-
FeaturesDoing business in China: trade and export guide
China is the great economic success story of the past 30 years.
-
FeaturesUKTI helps Nine Lives Media grow overseas
With support from UK Trade & Investment (UKTI), Manchester-based production company Nine Lives Media has won new business in the US and exhibited at several industry trade shows.
-
FeaturesDoing business in Canada: trade and export guide
Canada is the UK’s 16th largest export market for goods.
-
FeaturesUKTI supports Title Role’s Australian expansion
UK Trade & Investment (UKTI) helped Title Role to capitalise on a long distance opportunity with a high-profile client in Australia.
-
FeaturesDan'l Hewitt, Maker Studios
With 55,000 channels, 11 billion video views and a £340m sale to Disney, Maker Studios is a serious online player - but its sights are now set on traditional TV.
-
Behind The ScenesBoy Meets Girl, BBC2
There is no agenda to our transgender comedy, but the issue still required sensitive treatment, says Margot Gavan Duffy
-
FeaturesOutside Broadcast
Growing demand for Ultra HD in live sport is driving change in OB technology, from IP delivery to remote production, writes Adrian Pennington
-
FeaturesTV’s changing identity parade
What is the value of a TV channel brand in the digital era, and how is it best realised? Chris Curtis asked a panel of controllers, producers and branding experts
-
FeaturesStephen Fry in Central America
Post-production on a four-part series that follows Stephen Fry on his journey through Central America.
-
FeaturesCradle to Grave
Provide visual effect support for comedy series Cradle To Grave, which stars Peter Kay. Set in 1974, it follows the early life of Danny Baker and his family.
-
FeaturesFootball League Tonight
Create the full visual identity for Channel 5’s new Football League highlights show.
-
FeaturesToronto 2015: TV at film festivals
TV pilots, premieres and catch-ups are becoming must-haves for film festivals. Andreas Wiseman reports on a rapidly expanding trend.
-
Behind The ScenesThe Catch, C4
Filming and living aboard a fishing boat for this fixed-rig doc threw up many challenges, but it also made for a very personal experience, says Jim Incledon
-
FeaturesJekyll & Hyde, ITV
Talk of budgets often put a damper on your imagination when writing. On our ITV drama, that talk never happened, says Charlie Higson