Interviews – Page 16
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The Broadcast Interview
Radio 4: The World at One
A longer format for Radio 4’s flagship show has given it more scope for in-depth interviews and analysis. It’s also made it feel ‘less rude’ to guests, Martha Kearney tells Ben Dowell.
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The Broadcast Interview
Saul Nassé, BBC Learning
Using its biggest brands like Doctor Who as well as new daytime dramas, BBC Learning’s controller wants to inspire ‘a life full of learning’.
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The Broadcast Interview
Dorothy Byrne, Channel 4
Under C4’s ‘creative renewal’, the head of news and current affairs is overseeing a radical change in approach, with more emphasis on training and public involvement.
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The Broadcast Interview
Bellamy’s mission of Discovery
Julian Bellamy unveils his vision for global content for Discovery Networks International – and where UK producers fit in.
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The Broadcast Interview
Lisa Clark, Pett Productions
The pioneering producer of Shooting Stars now wants to get her ‘whole bloody foot’ in the door at Sky.
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The Broadcast Interview
Andrew Beint, Open Mike Productions
Balihar Khalsa speaks to Open Mike’s head of production about putting stand-up on TV and the benefits of a strong talent roster.
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The Broadcast Interview
Paula Kerger, PBS
As US broadcaster PBS prepares to launch its first UK channel, Alex Farber talks to president Paula Kerger, while channel head Richard Kingsbury describes the task of setting up from scratch.
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The Broadcast Interview
Cathy Newman, C4 News
‘Tenacious with a smile’ is how C4 News’ first female presenter in more than a decade sums up her style. She tells Lisa Campbell why holding politicians to account demands ‘a sense of fun’.
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The Broadcast Interview
Paul Eedle, Al Jazeera English
AJE’s director of programming challenges the stereotype of the Qatar-based broadcaster as focused on the Middle East. “We’re changing the way the world is reported.”
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The Broadcast Interview
Peter Richardson and Nick Smith, The Comic Strip
From their Devon base, Great Western Features has recreated cinema’s golden age on a comedy budget. Robin Parker finds The Comic Strip creative forces enjoying a new lease of life.
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The Broadcast Interview
Ronan Bennett on C4's Top Boy
The writer of BBC1’s Hidden and C4’s Top Boy tells Chris Curtis why he’s uncomfortable taking creative control and likes to keep people guessing both on and off screen.
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The Broadcast Interview
Simon Vaughan, Lookout Point
Lookout Point’s chief exec tells Jake Kanter there has never been a better time to be involved in international drama co-productions.
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The Broadcast Interview
Anne Sweeney, Disney/ABC
The inside view from the Disney ABC exec and Mipcom’s personality of the year.
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The Broadcast Interview
Left Bank Pictures: Andy Harries, Marigo Kehoe
Left Bank’s co-founders are determined not to let Zen’s demise overshadow their global successes, including an ambitious ‘game of Risk’ with HBO.
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The Broadcast Interview
Jesse Armstrong and Sam Bain
Peep Show creators Jesse Armstrong and Sam Bain are navigating the tricky waters of comedy-drama on new series Fresh Meat - and this time they’re sharing the load.
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The Broadcast Interview
Hegarty: a one-man brand
This is a golden era for the television, advertising titan Sir John Hegarty tells Lisa Campbell, but to get the best from your creative teams, you need “motivation not subjugation”.
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The Broadcast Interview
Jo Twist, Channel 4
Just 18 months into the job, Jo Twist has become the driving force of C4 Education. But she’s relishing the challenge as she plans a push into primetime.
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The Broadcast Interview
Ricky Gervais: no offence intended
For his new series Life’s Too Short, Ricky Gervais returns to BBC2 and the mockumentary style that made him a star - but this time, he’s mostly behind the camera, he tells Paul Whitelaw.
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The Broadcast Interview
Mark Austin and Tim Singleton, ITV News
ITV News has won a hat-trick of Baftas in the past three years despite limited resources. News At Ten’s anchor and assistant editor tell Jake Kanter how it has triumphed against adversity.
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The Broadcast Interview
Zam Baring, Keo Films
Raising awareness of social issues and giving unseen communities a voice is key for Keo’s managing director. Balihar Khalsa reports.