Opinion – Page 125
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Commercial radio: 40 years and counting
There’s never been a better time for commercial radio says Radioworks’ Jack Allen
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Technology is changing TV but content remains king
We need are ‘boxes’ with EQ not IQ says Mark Wilson
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Don’t panic about China rules
Limitations on formats aren’t all black and white, says Kate Bulkley
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Time to instigate lasting change
Broadcast Forum highlights the need for better skills and training says Lisa Campbell
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Tommy and Mo was a tricky double act
Jill Robinson reveals why When Tommy Met Mo was the toughest show of her 35 year career.
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The making of One PM Central Standard Time
A mutual love of Walter Cronkite brought me together with George Clooney, says Alastair Layzell
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PSBs should air views from every part of society
Tommy Robinson film shows why we have to explore taboo subjects, says Aaqil Ahmed.
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Time for action on Rose report
DG’s candid apology is welcome but he must act to restore trust, says Lisa Campbell
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The cunning challenge of making Fox Wars
Leon Dean reveals the techniques behind filming a nocturnal doc
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Stephen Redfarn: Westcountry TV's maverick
Gerry Buckland remembers Stephen Redfarn – a maverick who ran Westcountry TV in the 1990s.
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Why Iceland made a cool doc
Series director James Rogan and series producer Alisa Pomeroy on filming with Mr Iceland, Malcolm Walker
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How big boots led to Bigfoot
Harry Marshall on turning a pair of hiking boots into a film about the yeti.
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Mr Dreamworks’ digital design
YouTube and Netflix deals point to clear objective, says Kate Bulkley
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Fortune does favour the brave
Charles Wace’s gamble on Devon-based Twofour has paid off, says Lisa Campbell
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Seek out training initiatives to keep pace with change
There are plenty of options for freelancers, says Anne Morrison
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Radio 1 should be building ecosystems, not channels
The BBC must stay ahead of the game, says Chris Gorell Barnes
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Radio 4 needs northern lights
What’s good for TV must also be good for radio, says Philip Reevell
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British drama makes its mark
Mipcom highlighted global demand for homegrown productions says Chris Curtis
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An inside look at a new media player
James Caan’s business series could herald new opportunities for TV producers