Opinion – Page 24
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CommentMipcom returns bigger and bolder
International editor John Elmes highlights which programmes are likely to make biggest splash in Cannes
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CommentNetflix hastens ad-supported plan to take on Disney+
GlobalData, the new owner of Broadcast / MBI, expects budget-conscious consumers to embrace Basic with Ads tier
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CommentGoing for Broke: a tricky path from football to TV
Marvin Sordell on breaking the stigma of footballers being solely focused on the game & how life experiences can translate into fresh takes in TV
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CommentThe Premier League at thirty - what should it sound like next?
Paul Reynolds, MD EMEA and operations director at MassiveMusic, looks at the Premier League’s audio strategy
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CommentThe industry must protect its ability to collaborate across Europe
Director Alex Jacob argues European co-production is a brilliant experience - but Brexit is making it difficult
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CommentSteven D Wright: why is telly so shit?
30 years to the day after taking his first job, the producer asks how TV became a bland landscape of elves, celebrities and cheesemaking
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CommentPitching shows in the US is a whole new ball game
I’ve had to quickly master new terminology and working practices in a country where the deal is king, says Roy Ackerman
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CommentThe Queen’s funeral was a TV production masterclass
As King Charles III takes his place on the throne, the global audience’s appetite for royal stories will only grow, says Nick Bullen
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CommentMipcom returns in full force to an industry in a state of flux
The production boom continues apace, but industry is grappling with a raft of new challenges
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CommentGrowth returns but sector feels economic pinch
“Fighting consolidation and competing for programming, a growth story is a good story and UK distributors have stepped up once again”
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CommentMarcus Ryder: Queen’s death has exposed UK media’s diversity problem
‘At important national moments such as these, it is vital that the whole country is represented in all its diversity’
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CommentHow cloud can help the skills shortage
Jon Raidel, global center of excellence lead, live production in the cloud, at Vizrt, on how cloud production could help ease the current staffing issues
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CommentRevivals can give broadcasters the edge over SVoDs
Debates over the ’laziness’ of reboots dominated Edinburgh but Scott Bryan argues familiar formats can be challenging and rewarding
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CommentProduction managers have been forgotten - again
Bafta’s ’Behind Every Bafta’ advert continues a long tradition of overlooking production managers’ contribution to the industry, says Joe McDermott
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CommentKatz: a C4 recommission is about more than viewing figures
Linear and All 4 audience data, cost of production and whether a show hits our public service remit all come into play
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CommentWinners all round as Uefa divvies up broadcast rights
With BT, Amazon and the BBC sharing the spoils, the latest rights auction offers pointers to how the market is evolving, says Mike Darcey
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CommentScript editors aren’t given the credit they deserve
These unsung heroes have one of the most important roles in the writing process, says Danny Brocklehurst
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CommentThe subscribers-at-any-cost model is no longer feasible
As consumers tighten their belts, streamers will have to embrace more traditional business models to survive, says Kate Bulkley
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CommentBreakout British hits can help Netflix navigate its wobble
Dip in subscribers increases the stakes in the streaming wars
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CommentBuilding a strong and inclusive studio culture in a virtual world
Jellyfish Pictures founder Phil Dobree discusses how to create and harness a great company culture in a hybrid working environment