Opinion – Page 86
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Advertising’s millennial problem
In a world of ad-blocking, new models are emerging, says Kate Bulkley
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Big doesn’t always mean better
Don’t let drama’s scale fixation squeeze out the middle ground
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Brexit: there is too much to lose
Leaving the EU would mean job losses, restricted access to talent and a tougher export market, argues David Johnson
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Why Let It Shine fails to light my fire
Broadcast news editor Jake Kanter turns the spotlight on BBC1’s search for the stars of a Take That stage musical.
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Escape To The Chateau: filming a French fairytale
Ahead of its final episode on Sunday, director Paul Crompton blogs on the experience of creating and making Channel 4 series Escape To The Chateau.
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TV isn’t lacking ballsy women
Is confidence the issue, or old-fashioned sexism? asks Steven D Wright
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Public service content fund should not be limited to TV
White paper should allow us to cater for children on all platforms, says Matt Deegan
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Longevity doesn’t stop a show being ‘distinctive’
BBC leads the way in daytime schedules that offer quality viewing, says Dan McGolpin
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The production talent conundrum
BBC Studios and mega-indies share challenge of energising staff
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Why the documentary musical?
Century Films managing director Brian Hill on the reasons he returns to song-based films.
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Doc/Fest 2016: inspiring change
2016 is a year of far-reaching decisions. Some to be made by the people, some not. The EU referendum. The American elections. The future of public broadcasting.
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Single docs provide a perfect opportunity to be distinctive
This genre can hold its own against its series counterpart and drama, says Alisa Pomeroy
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Hidden worlds of the rich will prove a bigger draw
Factual shows around benefits will take a back seat to luxury lifestyles, says Dan Whitehead
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Playing Netflix at its own game
Subscription app is a shrewd move for Discovery, says Kate Bulkley
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Overnights still have their place
In today’s fragmented viewing world, a shared metric is important
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Why companies should be content with owning content
The roles of creator and distributor are becoming interchangeable, but you need to play to your strengths, says Dan Ison
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The South Bank Show: opening up the arts
The South Bank Show has become one of the most important cultural records we have, says Phil Edgar Jones
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How impartiality stifles debate
EU debacle highlights why we need a free press, says David Graham
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Vice is no longer the outsider
Brand needs to retain its values as it edges towards mainstream, says Chris Curtis