Comment – Page 6
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‘I face five months of unemployment’
The production lockdown came at a terrible time for freelance entertainment producers
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Keeping Ireland’s Crimecall rolling on lockdown
A tenth of the entire population tuned into our live crime-fighting show but production required buy-in from many parties, says Stephen Stewart
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VE Day in Lockdown: we borrowed our neighbours wifi
With our presenter on lockdown and the edit moved to the shed, our Discovery doc became a domestic affair, says Kate Beal
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Hardy young producers deserve praise
The future careers of ITN producers are being forged in the white heat of the coronavirus crisis, says David Stanley
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Stakes are high as broadcasters seek right answers
Tricky questions in the offing about who should foot lockdown bills
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My Mentor: Meryl O’Rourke on Saskia Schuster
Saskia Schuster made me learn how to enjoy the writing skills I possess, says Meryl O’Rourke
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How Red Sky scored commissions during lockdown
The current climate forced us to essentially rip our indie up and start again, but new business shows we made the right choice, says Jane Rogerson
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Reality smash offers reasons to be cheerful
Too Hot to Handle should pave the way for a British boom in Netflix non-scripted
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Quibi bids to overcome mobile SVoD curse
Loud and vivid but lacking depth is Broadcast insights editor Jesse Whittock’s first impression of fledgling service
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The uncanny appeal of audience-free shows
Hosts and talent performing in isolation could very soon become the norm, says Robin Parker
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Colourisation brings history to life
Demand from buyers has surged as technique helps reach new audiences, says Lilla Hurst
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Remembering Tony Garnett
The drama producer’s funeral was a celebration of an uncompromising and influential man, writes Maggie Brown
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Gameshows are backbone of TV
International popularity makes genre perfect for platforms’ global expansion, says James Fox
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We need to bring back the fun
Shows like The Masked Singer deliver much-needed joy in serious times, says Steven D Wright
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Lack of nuance is killing debate
The adversarial nature of much discussion on TV today is poisoning us, says Amna Saleem
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The heat’s on in Miami
Natpe proved its credentials as a proper sales market and avenue for an insight into the Americas, says Ben Barrett
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Did the BBC lose its faith in its Year of Beliefs?
What happened to the corporation’s promise to bring religious debate to a wide audience, asks Torin Douglas
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There’s no fast track to success
We need to nurture both talent and ideas to create true breakout hits, says Stephen Stewart
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Keep the entertainment coming
Genre has real momentum and a few risks can push it to next level
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Let’s rebrand ‘low end’ factual
‘Popular doc series’ is more suitable for these innovative shows, says Hannah Demidowicz