Comment – Page 106
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CommentHow The Hundred can harness the sound of cricket
Paul Reynolds, MD at international creative music agency MassiveMusic, explains how the competition can take advantage of the sport’s musical heritage
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CommentWill this (finally) be disability’s breakthrough moment?
Scattered Pictures boss Kim Tserkezie is hopeful Jack Thorne’s MacTaggart Lecture will bring meaningful change in the industry
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CommentTV should not be afraid to tackle class issues head-on
The sector should think hard about which definition it opts for, says Elsa Sharp
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CommentOlympics highlights the shift in power away from PSBs
Sub-licensing deal with Discovery leaves viewers disappointed and illustrates the tough challenges facing the BBC, says Scott Bryan
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CommentResisting privatisation doesn’t mean keeping the status quo
There’s no doubt C4 needs to change – but that’s far more likely if it retains its public ownership
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CommentRevitalising live shows with virtual audiences
Tom Bowers at interactive audience specialist consultancy Hypothesis Media highlights the creative opportunities for virtual audiences
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CommentHow far has AI come on and off the court?
Raghavan Subramanian, AVP and head of the Infosys Tennis Platform at Infosys, explains how AI can change how sport is covered.
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CommentThe future of post-production after Covid
Thomas Urbye, CEO of The Look, explains how post houses and the productions they work with, should change after the pandemic
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CommentReaching the next generation of sports fans with mixed reality
Sam Leadsom, VP for global business development in sports at Pixotope, tells Broadcast Sport about the future of mixed reality in sport
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CommentInclusivity will be key to this year’s Edinburgh TV Festival
Jack Thorne will put disability centre stage and we’re taking up the challenge to ensure that everyone feels welcome, says Fatima Salaria
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CommentIt’s time to act decisively to rein in the streaming giants
Traditional broadcasters cannot compete with their deep-pocketed rivals without government intervention, says Kate Bulkley
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CommentWhy I’m no longer talking to media execs about C4 privatisation
I want a public C4 and a new regulatory environment to formally introduce ring-fenced funds for diverse-led productions, says Marcus Ryder
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CommentDisabled people must be part of the conversation
Any solution for getting more disabled people into the industry should take into account our lived experience, says Caroline O’Neill
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CommentMisconceptions and biases are holding back progress
If we are to bring down the barriers to our industry, we need to change the narrative around disabled talent, says Deborah Williams
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CommentThe rise of virtual production in the UK TV industry
David Bajt and Rowan Pitts of Bild Studios and MARS Volume discuss what the future holds for virtual production tools, technologies and workflows.
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CommentInsurance scheme has given UK headstart over rest of the world
The £500m backstop has ensured that the growth of recent years wasn’t for nothing, says DCMS minister Caroline Dinenage
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Comment5 Top Tips for creating Interactive TV spin-offs
Charisma.ai CEO Guy Gadney on how TV series can extend off the linear screen and into an immersive, interactive world
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CommentPTZ cameras – The future of broadcast?
Matthew Koshy of Canon Europe on the benefits of high-end PTZ cameras in enabling streamlined crews to capture 4K content
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CommentSelling C4 is an affront to free speech
C4’s unique remit to commission programmes others cannot and will not order is threatened by privatisation, says Callum Macrae