Comment – Page 121
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CommentA new way to measure progress
Diversity is a complex issue and the way we talk about it needs to change, says Marcus Ryder
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CommentTV can change people’s minds
Seeing more people with disabilities on screen is key to transforming attitudes, says Lee Ridley
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CommentFight for representation goes on
The industry needs real solutions to improve diversity, not just words
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CommentLiving through the Blitz
Dr Emilia Chodorowska explains how telling personal stories was integral to Windfall Films’ doc series
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CommentDrama's co-pro conundrum
Will industry partners really turn off the funding tap or is the market in rude health, asks Max Goldbart
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CommentChannel brands are losing power
As ecosystem changes, content creators need to rethink how they value IP, says Kate Bulkley
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CommentTV must be beyond reproach
Industry has to work tirelessly on its duty of care responsibilities
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CommentSky’s post-Thrones plan
The next steps for Sky Atlantic are vital now Game of Thrones’ watch has ended, says Stephen Arnell
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CommentITV theme park is a thrilling idea
Creating rides based on classic shows is a great way to extend the brand, says Steven D Wright
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CommentYoung editors need more support
This key role needs to be seen as a positive and creative career choice, says Andrew Sheldon
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CommentTax relief is doubled-edge sword
Producers need a helping hand, but additional subsidies pose risks
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CommentTake a leaf out of gaming’s book
Gamification of IP offers a lucrative new revenue stream for broadcasters, says Kate Bulkley
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CommentNations and regions indies have bigger stories to tell
N&R commissioning is improving at last - but beware unconscious bias, says Claire Mundell
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CommentBrilliant contributors are online waiting to be found
We assembled the perfect cast for our show by scouring the internet, says Elspeth O’Hare
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CommentMidlands needs a shot in the arm
A guaranteed 100 commissioned hours a year would transform the region, says Will Hanrahan
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CommentRights revolution needs new rules
Industry needs to build consensus on how shows are exploited
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CommentCancellation is painful - but it doesn’t have to be the end
Like The Bletchley Circle, a good idea can find a new life elsewhere, says Jake Lushington
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CommentWhy NAB 2019 revealed a growing confidence in IP technology
Gearhouse Broadcast’s Ed Tischler on why he believes NAB 2019 signalled a tipping point in the move to IP
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Comment‘Big local’ is key to SVoD wars
With giants like Disney entering the fray, niche players need a global mindset, says Kate Bulkley