Factual Comment – Page 7
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From cutting room floor to viral hit
How Raw generated 8.5m Facebook views from unused footage from Cutting Edge film One Killer Punch.
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US to be fertile ground for docs
Strong factual community can capitalise on shock Trump win, says Chris Curtis
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Kit evolves, but the art of storytelling remains key
Natural history film-making is about more than drones and UHD, says Paul Reddish
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Help is at hand when your day job becomes traumatic
Don’t be afraid to ask for support when work takes a tough turn, says David Richardson
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Determination and self-belief helped us to reach our documentary destination
We managed to show a new side to China despite being in the shadow of McGregor and Boorman’s Long Way Round, says Ryan Pyle
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Escape To The Chateau: filming a French fairytale
Ahead of its final episode on Sunday, director Paul Crompton blogs on the experience of creating and making Channel 4 series Escape To The Chateau.
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Doc/Fest 2016: inspiring change
2016 is a year of far-reaching decisions. Some to be made by the people, some not. The EU referendum. The American elections. The future of public broadcasting.
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Single docs provide a perfect opportunity to be distinctive
This genre can hold its own against its series counterpart and drama, says Alisa Pomeroy
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Hidden worlds of the rich will prove a bigger draw
Factual shows around benefits will take a back seat to luxury lifestyles, says Dan Whitehead
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The South Bank Show: opening up the arts
The South Bank Show has become one of the most important cultural records we have, says Phil Edgar Jones
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The story behind a successful Korean co-pro
The Bridge founder Amanda Groom this week won an award for the Most Significant Contribution to the UK-Korea TV Creative Collaboration at an event organised by the London Korean Drama Club. Here she reveals the story behind RTS Award-nominated S4C film Tears of Blood, which was co-produced by a Korean ...
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Juniper TV: C4 Muslim doc can kickstart debate
Critics of our survey are ignorant - and attacks were predictable, says Samir Shah
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Whicker’s legacy will keep next generation curious
Our award can rekindle interest in one-off TV docs that challenge viewers, says Jane Ray
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Meeting the ethical challenge
Documentary-makers need to debate moral dilemmas, says James Quinn
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How to avoid 24 hours in A&E on foreign shoots
Faced with a medical emergency in Athens, Paul Elston was confronted with a stark choice: to protect his health or the shoot?
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How to build a career in docs
Daniel Dewsbury shares what he’s learned from the best in the business
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Factual works best when comedy is part of the mix
Audiences want a dose of humour rather than an ‘expert lecture’, says Lucinda Axelsson
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Capturing reality to dramatic effect
Drama elements enhance a documentary, but it’s real life that packs the punch, says Ruth Kelly
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Scientology doc case is far from closed
Libel laws could yet offer a way for Sky to broadcast controversial doc Going Clear, says lawyer Sarah Webb
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Give directors credit where it's due
We must protect the role of director for the sake of the future of our industry, writes Tom Roberts