Features – Page 12
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Behind The ScenesCovid couldn’t stop us - try as it might
Sometimes it felt our BBC Wales drama The Pact would never get made, but we have made it into production, say Elwen Rowlands and Hayley Manning
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FeaturesBest Factual Channel: BBC4
‘It is not afraid to push boundaries in terms of commissioning experimental shows and mixing genres with its output’
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FeaturesBest Short-Form Documentary: Life After Death: How Seven Kids Came Back from the Dead
Met the remit of bringing younger, underserved audiences back to the BBC
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FeaturesBest Documentary Programme: Real Kashmir FC
‘A fantastic way to put BBC Scotland on the map’
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FeaturesBest Digital Support for a Strand, Channel or Genre: CBeebies Grown-Ups
‘A great use of community’
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FeaturesBest Digital Children’s Content: The Worst Witch
‘A quality brand that stretches brilliantly across a range of platforms’
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Behind The ScenesCreating the legacy Teddy Pendergrass deserves
Our BBC2 documentary about the late soul singer was tough to finance but spotlights his life and talent perfectly, says Olivia Lichtenstein
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Behind The ScenesProfiling Palin’s lifetime of travel
Firecrest had to navigate a sea of challenges to weave together the wanders of a TV great, says series producer and director Andrew Abbott
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FeaturesStepping up to the Covid plate
The team behind MasterChef: The Professionals on overcoming the challenges to record a new series
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Behind The ScenesTop Gear: back behind the wheel
The motoring format got a best-of-British makeover after lockdown threatened its BBC1 debut
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Behind The ScenesA madcap dash through Europe making David Nicholls' Us
Our city-hopping drama production shoot had its own problems – and then Covid hit, says Hannah Pescod
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Behind The ScenesOur journey into Fidel Castro’s Cuba
Co-producing the story of socialism in Cuba tested our journalistic skills to the limit, says Mick Gold
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CommentWhat the Radio 1 of yesteryear can teach today’s BBC
Paul Robinson on what radio’s relationship with 15-24s reveals about an audience that’s falling out of love with the BBC
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FeaturesCrossing a cultural chasm to shoot Giri/Haji in Japan
Why filming in Tokyo was crucial for executive producer Chris Fry to ensure the Sister crime thirller felt authentic
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Behind The ScenesTelling Trump’s tale through tweets for BBC3
Communicating ‘The Donald’s’ revolutionary method of speaking to the electorate was made all the harder by lockdown, says director Emeka Onono