Features – Page 20
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Behind The ScenesMy Husband the MMA Fighter, BBC1
Director Christine Johnston explains the challenges of directing and producing her first documentary film
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Behind The ScenesA Paedophile in My Family: Surviving Dad, Channel 4
Producer-director Sophie Oliver on how she navigated complex duty of care needs to tell a difficult story
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FeaturesFirst look: Mary & George, Sky Atlantic
Hera Pictures’ seven-part series airs later this year
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Behind The ScenesBehind the scenes on Kids, Channel 4
Producer-director Paddy Wivell explains how the power of obs docs help contributors tell previously unheard stories
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FeaturesEnd Credits: Rob Butterfield
The head of Ricochet, Glasgow, on Cowboy Builders and finding a sex dungeon
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Behind The ScenesKidnapped – The Angel Lynn Story: The ethics of filming a story of abuse
Wonderhood Studios navigated a complex consent issue to bring the tragic story of a victim of coercive control to screen
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FeaturesAnalysis: Grabbing a slice of online original content
With online platforms stepping back from ordering original content, what are the opportunities for indies working in the space?
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FeaturesFirst look: The Gallows Pole, BBC2
Shane Meadows’ series, produced by Element in association with Big Arty, is based on Benjamin Myers’ book
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Behind The ScenesThe Mysterious Mr Lagerfeld, BBC2
Director Michael Waldman on the quirks of capturing the lavish life of one of fashion’s most eccentric stars
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FeaturesThe Missing Heiress: Betrayals In The Riviera
‘The originality of the series is the Shakespearian element of betrayal and tragedy’
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FeaturesThe Man Who Played With Fire
‘It’s visually impressive, narratively captivating and will have viewers hooked’
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FeaturesThe Last Secrets Of Humankind
‘It’s a high-quality production where you can see the budget on screen’
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FeaturesOld Enough
‘It is fascinating to see how children are capable of thinking and acting on their own’
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FeaturesThe Chameleon: The Killing Of Ronald Platt
‘Stranger than fiction is more than just true crime and this film embodies that’
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FeaturesHot Wheels: Ultimate Challenge
‘This is a shiny floor general entertainment show that is universally relatable’
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FeaturesThe Real Fatal Attraction
‘It is counterintuitive of the genre because true-crime victims are usually female’
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FeaturesBend it Like Bollywood
‘You feel like you can’t walk away from the screen in case you miss a critical piece of information’