All Broadcast articles in 6 April 2018 – Page 3
-
FeaturesMillion Pound Menu
“What sets it apart is what is at stake, the level of investment and how real it is”
-
CriticsThe Investigator
“Somewhere in here is a powerful story of the impact of a missing woman on her family.”
-
-
FeaturesMaking a Model With…
“Following the success of Dance Moms and Rap Game, we were looking for another industry where ‘momagers’ were prevalent”
-
FeaturesThe Search
“The action happens on the floor, which is very visual. It’s not a straight-forward quiz”
-
FeaturesDate Night
“Date Night takes a universal concept of love, dating and romance and makes it accessible”
-
-
FeaturesBuyers briefing: content strategies revealed
Broadcast analysis reveals broadcasters and SVoDs are focusing on ’hyper-local’ content and big-budget, international-facing originals
-
FeaturesYear of the Tribe
“Millard reveals the way the tribe is transitioning out of the forest and adapting to the modern world”
-
FeaturesWhere Is Thea?
“The Nordic countries are way ahead of the rest of the world in multiplatform storytelling”
-
-
-
FeaturesThe Rookie
“An enjoyable, accessible cop show that has the feel of a classic precinct show like Hill Street Blues”
-
-
FeaturesMystery Road
“Our hope is that the series will not only be compelling, but will say something about Australian identity”
-
FeaturesModern Royals
“The editing is strong and pacy, creating a point of difference. We have pitched this doc quite young”
-
FeaturesMr Inbetween
“I was aiming for something that would travel. It’s an Australian show, but it has universal themes”
-
FeaturesPope: The Most Powerful Man in History
“The papacy has impacted our world far beyond religion, faith and the Catholic church”
-
FeaturesRadical Story of Patty Hearst
“The producers went to great lengths to portray an accurate and fair account of the events”
-
FeaturesMy Gay Life
“It is of global interest because families go through this daily. It is about understanding prejudice”