All Behind The Scenes articles – Page 42
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Behind The ScenesRoss Kemp: Libya’s Migrant Hell, Sky 1
A matter of life and death in the Middle East
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Behind The ScenesThe Trouble With Dad, C4
Blurred lines between our subject’s dementia and his ‘true’ personality made for a difficult shoot
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Behind The ScenesAndrew Marr: My Brain and Me, BBC2
The presenter agreed to our doc on one condition: he wouldn’t cry for the camera
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Behind The ScenesGap Year, E4
As we filmed in crowded Vietnamese markets and Thai temples, we had to be ready to switch locations at short notice if permission to film in China finally came through, says Joel Wilson
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Behind The ScenesThe Accused, Channel 5
Insight of a trial of a mother accused of failing to protect her baby from a violent assault by her boyfriend.
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Behind The ScenesThe Cult Next Door, BBC2
Sleight of hand in the edit helped illustrate this extraordinary story
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Behind The ScenesSpy In The Wild, BBC1
More than 30 ultra-realistic ‘spy creatures’ took viewers into the animals’ world
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Behind The ScenesFaking It: Tears of A Crime, Investigation Discovery
Why do criminals think TV is the place to protest their innocence?
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Behind The ScenesTop 10 behind the scenes of 2016
Broadcast took a peek under the bonnet of shows including First Dates, Marcella and Dogs Might Fly. Click for the pick of the year’s Behind the Scenes.
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Behind The ScenesInside No 9, BBC2
Inside No. 9 producer Adam Tandy talks to George Bevir about creating a working 1970s drama set with period cameras and lighting for the return of the darkly comic anthology series
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Behind The ScenesThe World's Most Wanted Leopard, Nat Geo Wild
What started out as a bid to photograph a rare leopard in Azerbaijan turned into a mission to preserve a unique species, says Adrian Steirn
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Behind The ScenesTime Commanders, BBC4
Rebooting the format a decade on allowed the use of much more powerful software
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Behind The ScenesLowri Morgan: Her 333, S4C
Running 150 miles up three mountains in three days not enough? Try being presenter and assistant producer too
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Behind The ScenesThe Last Miners, BBC1
By rejecting the use of mini cams, gimbals and drones, we strove for visual honesty of life in the pits, says Wesley Pollitt