All Broadcasters articles – Page 89
-
FeaturesTackling the talent crunch
Systemic change is needed, but cross-industry collaboration & a wider talent pool can help ease the problem in the medium term
-
NewsElectric Ray cooks up E4 format
Celeb Cooking School (w/t) to be co-produced with Motion Content Group
-
NewsHomeland writer sets sights on UK
Patrick Harbinson hopes to use ITV’s The Tower as a springboard for Windhover Films
-
NewsBBC licence fee may face two-year freeze
Negotiations with government expected to conclude this month
-
Features5 News prepares to do things differently
As C5 prepares tonight’s expanded 60-minute bulletin, editor Cait FitzSimons talks reaching underrepresented audiences…and reporting extreme weather
-
NewsDiscovery+ explores cot death
Caravan two-parter focuses on mothers convicted of killing their children
-
NewsBodyguard military supervisor calls for firearms training
Bare Arms’ Ben Simmons proposes actors receive safety lessons
-
-
FeaturesSports Documentary of the Year (Series): Formula 1: Drive to Survive
‘It has broken down the walls around an extremely insular sport and brought younger followers to F1’
-
FeaturesSports Commercial of the Year: Tokyo 2020 - Let’s Go There
‘The film is incredibly creative, with brilliant attention to detail. It’s a joy to watch’
-
FeaturesNEP TV Sporting Moment of the Year: Tom Daley & Matty Lee’s gold-winning dive at the Tokyo 2020 Olympics
As voted for by Broadcast Sport readers rather than the industry panels that judged other categories
-
FeaturesSports Documentary of the Year (Up to 60 minutes): Micah Richards: Tackling Racism
‘Brilliant access to Micah and his life dealing with racism in football. This film leaves a lasting impact’
-
FeaturesBest Sports Graphics for a Live Production: The Hundred: Avatars
‘It brought a new dimension to the game, and the app was perfect for younger audiences’
-
FeaturesBest Use of Fan Engagement: The Hundred: Avatars
‘They really matched the brand of The Hundred and what it was trying to achieve in terms of engaging a whole new fan base with the sport’
-
FeaturesBest Lockdown Production: Goodwood Speedweek
‘This lockdown event was an incredible success and proves that necessity is the mother of invention’
-
FeaturesBest Original Content by a Rights Holder: Whistle Watch
‘Brilliant, original, creative content that leaves you smiling every time. Enjoyable even for people who aren’t rugby mad’
-
FeaturesBest Post-Production For Sports Project
‘The editor who did this vast amount of work absolutely nailed it with every detail’
-
FeaturesBest Social Media Campaign
‘It is a campaign that will reach a massive audience with a clear, captivating and moving message’
-
FeaturesBest Sport Entertainment Programme: Today in Tokyo
‘Hugely entertaining and engaging for a broad audience. This was my gold medal winner’
-
FeaturesBest Sport Production of the Year: Extreme E
‘An incredible technical feat that represents the future of production and a better future for our planet’