Comment – Page 10
-
Comment
Drama boom spreads east
You’d be forgiven for feeling like you blink once and you’re back on a plane heading to another Mipcom
-
Comment
A tale of two pre-Mipcom deals
Netflix’s swoops for Bodyguard and The Circle are a sign of the times
-
Comment
Some stories never grow old
Events like the 1969 Manson murders will always fascinate audiences, says Richard Dale
-
Comment
Smart scheduling boosts Bodyguard
Double-ep debuts and stripped shows help linear TV hold firm
-
Comment
Let’s bring back entertainment
The king of TV genres has lost its crown but may have a new champion, says Steven D Wright
-
Comment
The future is bright for formats
Queer Eye and our new Netflix gameshow prove the genre is alive and kicking, says Tom Popay
-
Comment
Youth puzzle needs broad remedy
Mainstream channels must be part of response to 16-34 conundrum
-
Comment
Taking celebrity travelogue into uncharted territory
Our Russia and North Korea films mark a big step forward for ITNP, says Will Smith
-
Comment
Drama heads have lost the plot
TV schedules are stuffed with glossy shows with nonsensical stories, says Steven D Wright
-
Comment
How to write a one-page drama pitch
Award-winning writer Dominic Carver offers his top tips for catching a commissioner’s eye
-
Comment
Drama strategy needs a rethink
As production costs rise, free-to-air broadcasters will struggle to compete, says Simon Cornwell
-
Comment
Studio Lambert: 10 years in the making
As Studio Lambert reaches its 10th anniversary, founder Stephen Lambert considers some of the indie’s most pivotal shows
-
Comment
Diversity needs to go hand in hand with representation
Storytellers from different backgrounds are key to creating authenticity, says Alex Lamb
-
Comment
Online docs have come of age with the rise of new platforms
The range of outlets with money to spend at Doc/Fest is telling, says Derren Lawford
-
Comment
Doc/Fest is playing its part in introducing new voices
We’re passionate about creating pathways for a new wave of storytellers, says Liz McIntyre
-
Comment
Voiceover should not be the default option for docs
A useful technique in directors’ bag of tools has been blunted by overuse, argues James Rogan
-
Comment
It’s hip to be a documentarian
Forget drama and entertainment, being a ‘film-maker’ is where it’s at, says Steven D Wright
-
Comment
Timing is everything in TV comedy
With the global demand for IP, it feels right to work with an old friend, says Maurice Gran
-
Comment
Comedy should open the doors to everyone
Comedians need room to experiment and take risks to find an audience, says Jon Jayson
-
Comment
AI is rewriting the TV script
Focus groups are one thing, but could a machine ever replace the writer? asks Kate Bulkley