Comment – Page 17
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CommentThe growing influence of gaming VFX on the film and TV industry
Allan Poore at Unity explains how the lines between gaming and film technology are more blurred than ever
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CommentHow we brought Eurovision to UK viewers
dock10 studio manager Adam Balcombe reveals the facility’s work as a production base for the BBC’s transmission
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CommentSara Putt: While we celebrate our industry’s excellence, let’s remember tomorrow’s talent
We must level the playing field if we want the best creatives, says the deputy chair of BAFTA and chair of the BAFTA TV Committee
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CommentThe creative use of generative AI in post-production
Graham McGuinness at Jigsaw24 Media explains how AI is already helping post-production with creating technical grades and post-producing scripted content
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CommentNick Swimer: The Media Bill could lay the foundations for regional indie growth
The opportunities this legislation presents for out-of-London production are in danger of being overlooked
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CommentThe rise of France as a VFX hub
Tony White explains why France could soon lay claim to being the next big home for visual effects
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CommentScott Bryan: Even in the streaming age, there’s plenty of life in live
The industry and the audience would both be worse off if the rise of streaming makes live shows a thing of the past
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CommentMike Darcey: BBC is betting goodwill holds key to licence fee debate
Viewers struggling with the cost of living may decide not to pay the licence fee despite using a plethora of free services
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CommentLeo Pearlman: The industry overlooks the north east at its peril
The TV sector stands to reap significant benefits if it follows Fulwell 73’s lead and invests in this incredible region
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CommentChristopher Yip: TV must trust people of colour to tell their own stories
The industry needs to embrace the wealth of talent that exists if it wants to make honest, authentic shows
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CommentTweaks to distribution models point to more flexible future
Format deals are back with a bang thanks to the fresh thinking and bold partnership behind The Traitors
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CommentChloe Sarosh: Why we need new voices in natural history
Wildstar Films’ executive producer explains why increasing diversity in wildlife films is crucial
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CommentFactual leads the charge in Cannes
“Unscripted programming is the driving force as documentary accounts for half our Hot Picks”
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CommentCompetition in the streaming business is growing FAST
Revenues from free-ad supported TV channels are predicted to triple by 2027 and the battle is on to win the biggest share, says Kate Bulkley
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CommentWill Hanrahan: look to journalists when setting true crime standards
Established journalistic good practice balances ethical conundrums with exposing wrongdoing – so let’s not reinvent the wheel
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CommentIt’s time for an overhaul of TV ratings
Pierre De Lannoy, EMEA Strategy Director at MiQ on how TV ratings need to keep up with changing viewing habits
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CommentWhat can Wrexham’s Hollywood takeover teach other sports brands?
Chris Whitson, global head of strategy at creative agency Iris, explains how other rights holders could follow in Wrexham’s footsteps
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CommentJob uncertainty threatens progress made on diversity
Great strides have been made in attracting people from diverse backgrounds – but now we need to keep them, says Lorraine Heggessey
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CommentJulia Lopez: Let’s make sure the UK keeps making brilliant kids’ TV
The DCMS minister explains how the government plans to ensure children can continue to access inspiring, life-enriching British-made content
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CommentTalent crunch poses questions we desperately need to answer
The logjam has finally eased off – so now is the time to get stuck into practical solutions