Comment – Page 49
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CommentTop tips for HDR grading
Core Post managing director Matt Brown reveals what the team learned grading Sky 1’s Brassic – its first HDR production
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CommentHow we made our RAF series fly
We had to negotiate access at every level, from the pilots to the top brass, says Willard Foxton
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CommentWhy it’s good to talk – and listen
Edinburgh offered reminder of the value of face-to-face discussion
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CommentFunny factual can educate by stealth
Humour can be the most potent weapon in confronting unpalatable truths, says Emily Hudd
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CommentViacomCBS needs to be smart
Scale is important but the right content is essential to compete with SVoDs, says Kate Bulkley
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CommentWhere are all the female crew?
We need to create a more flexible environment where woman can thrive, says Colleen Flynn
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CommentDon’t mess with a winning recipe
Warmth and putting food front and centre is key to MasterChef ’s longevity, says David Ambler
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CommentIndustry’s old rules fading fast
Bravely embracing new creative freedom is the only way to thrive
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CommentViacomCBS is a long-play game
Broadcast Intelligence: the merger of Viacom and CBS is not about short-term benefits
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CommentAVoD is an important part of the on-demand revolution
Potential access to younger audiences is a key attraction to advertisers, says Kate Bulkley
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CommentEdinburgh is no laughing matter
Putting on a festival session was much more stressful than I expected, says Steven D Wright
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CommentEdinburgh has the ability to make even Brexit fun
Festival is packed with entertaining sessions, but still tackles big issues, says Lisa Campbell
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CommentTV’s duty of care is here to stay
Industry must take ongoing action to safeguard all those involved, says Katerina Capras
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CommentPoliticians are ducking TV too often
Industry must unite to battle for access to those running the UK, says Alexander Gardiner
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CommentTest is still to come for duty of care
What constitutes ‘unjustified’ distress could be a contentious issue
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CommentWhy Netflix has no room for critics’ darlings
Tuca & Bertie’s swift cancellation symbolises the streamer’s increasingly cynical content strategy, says Jack Genovese
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CommentVoice assistants are taking over
Devices will be key to how shows are discovered – and they need content, says Kate Bulkley
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CommentBrexit impact could be minimal
British firms will not necessarily lose funding and access on departure, says Ingrid Silver
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CommentDon’t dismiss the feel-good factor
Entertainment shows are a key weapon in broadcasters’ ratings armoury, says Neale Simpson