Entertainment Features – Page 5
-
Behind The Scenes
The Rap Game, BBC3
Executive producer Tom O’Brien reveals the challenge of translating a grassroots ‘music-first’ world into formatted TV
-
Features
Best Entertainment Channel: Comedy Central
‘Comedy Central feels like it has found a British identity and cleverly marketed and repurposed its heritage brands’
-
Features
Best Entertainment Programme: Love Island
‘This series took the relationship format to a new level and was impossible to avoid – even if you didn’t watch it’
-
Features
Understanding the scale of US network TV
President of alternative entertainment and specials at Fox, Rob Wade, details the shape of his entertainment strategy
-
-
Features
Rob Clark: Blind Date
When ITV first pulled back the screen on Cilla’s dating show, it was love at first sight for Fremantle’s director of global entertainment
-
Features
Studio Shows
Shiny-floor successes, from Mark Wells on The Generation Game to Ana de Moreas on Big Brother and Alex Horne on The Krypton Factor
-
Features
Broadcasters retain edge over SVoDs
While Netflix has risen to sixth on the best broadcaster to deal with table, it is yet to unseat its more established peers
-
Features
Best entertainment programme: Ant & Dec's Saturday Night Takeaway
“Outstanding in every way. Flawless, jam-packed and hugely generous”
-
Behind The Scenes
Who Wants To Be A Millionaire?, ITV
New format points and a refreshed approach helped retool ITV’s classic format, says Fiona Clark
-
Behind The Scenes
Beat The Internet, Dave
It might surprise you that Vice Studios produced UKTV’s latest gameshow, says Dan Louw
-
-
-
Features
You Kiddin’ Me?!
“The show will easily translate to many markets because it is funny and multi-generational”
-
Features
What Would Your Kid Do?
“It’s one of the few factual entertainment series to have really landed in the UK in the past year”
-
Features
Dance Revolution
“State-of-the-art technology is used to create a 360˚ shot of each dancer’s most spectacular ‘Revolution’ moment”
-
-
-
Features
Beginning of a new era for Sky
With a comedy-entertainment push and acclaimed dramas, the broadcaster is changing perceptions of its commissioning strategy
-
Features
Best Entertainment Programme: Love Island
‘Super-ambitious production schedule, genius casting and brilliant editing.’