All Facilities articles – Page 159
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FeaturesWorld's End
Provide picture and audio post for the 36 x 15-minute drama in which children from different backgrounds find themselves in a remote castle.
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FeaturesKew on a Plate
Audio post Clear Cut Pictures Client Lion Television Brief Provide audio post-production for the four-part series in which chef Raymond Blanc and presenter Kate Humble spend a year at Kew Gardens growing heritage produce and cooking seasonal recipes. How it was done Clear Cut’s sound team, ...
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FeaturesRaised by Wolves
Picture post-production on 6 x 30-minute Caitlin and Caroline Moran-penned comedy series - a modern-day reimagining, set on a council estate, of the brilliant chaos of the Morans’ own childhood.
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NewsDPP sets out fee-paying plans
The Digital Production Partnership (DPP) has laid out its plans for becoming a fee-paying organisation and invited more broadcasters, indies, post-production facilities and manufacturers to become members.
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NewsMilk opens Cardiff VFX facility
London VFX house Milk is opening a second studio in Cardiff to support its expanding roster of TV and feature film projects.
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NewsEVS reveals winners of C-Cast app competition
EVS has selected the first winners of its C-Cast APPlied Challenge, including Burst, an app which allows media firms to source and broadcast user generated content.
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NewsMaycock takes on Quantel marketing role
Neil Maycock has been appointed to the role of vice president of marketing at Quantel and Snell.
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NewsPrime Focus' UK post division to become Blue 2.0
Prime Focus has sold its UK broadcast post production business to new company Blue 2.0.
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NewsVitec Videocom reorganises business units
Vitec Videocom has restructured its management team and split the division into three business units.
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NewsEnvy pushes into ads and branded content
Envy has recruited former Framestore client services director Jane White to head up its new advertising and entertainment venture.
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NewsStargate opens UK site at Ealing
LA-based TV visual effects facility Stargate Studios has opened an outpost at Ealing Studios to tap into the UK tax relief for high-end drama and export its unique brand of virtual location production.
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NewsArri unveils Alexa XT replacement
Arri has unveiled the Alexa SXT, a camera which builds on the firm’s Alexa device and offers ProRes 4K recording.
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FeaturesTotal Combat
Design the look and feel of the show, from the brand logo through to the set and lighting design.
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CommentWhy are Avid and Adobe collaborating?
The integration of third-party products into an Avid workflow is the main premise of the firm’s MediaCentral Platform, says Avid’s Kevin Usher.
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NewsAvid to target “untapped” $2bn independent sector
Avid will turn its attention to the “untapped” independent creative sector with the launch of more subscription-based and free versions of its software applications.
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NewsDrama kit: the most popular cameras and grading systems
Survey shows the kit used to shoot and post the 30 highest-rating dramas of the second half of 2014
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NewsBroadcast TECH launches into Europe
Broadcast’s bi-monthly sister magazine Broadcast TECH will be distributed to facilities around Europe from next month.
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FeaturesOrdinary Lies
Picture and audio post-production on the drama about life in a car dealership
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FeaturesThe Aviatrix
Post-production for the doc about a pilot following in the footsteps of the first person to fly solo from Cape Town to London.