All Features articles – Page 152
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Features
Owned indies storm ahead
It was a good year for producers with broadcaster backing, with revenues up virtually across the board, while the BBC overtook C4 as the best broadcaster to deal with.
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Features
Discovery: strategic rethink
Discovery’s 2016 kicked off with Marjorie Kaplan settling into her role as president of global content, with grand plans to expand local commissions into global formats and scout for auteur-led, premium content.
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Features
UKTV: all change
It is all change in UKTV’s top 10 suppliers by hours table, with only four companies from the previous year still present.
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HDR in the spotlight
High Dynamic Range is hugely popular because of the punchy, engaging images it produces, but what challenges does the emerging technology pose for production teams?
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Features
Tracey Ullman's Show, BBC1
Picture post-production on a second 6 x 30-minute series of the sketch show
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Features
Clique, BBC3
Deliver a title sequence and photo-real visual effects shots for the university-set drama.
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Features
BVE 2017: your guide to this year's show
From Louis Theroux to Mark Kermode, this year’s trade show is attracting prominent speakers as the event expands its seminars to support the Excel-based exhibition.
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SS-GB, BBC1
Create a title sequence for the 5 x 60-minute adaptation of Len Deighton’s alternative history novel
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Features
Stan Lee's Lucky Man, Sky1
Post-production on the second series of the 10 x 60-minute drama
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Features
The Railways that Built Britain with Chris Tarrant, C5
Post-production on a 3 x 60-minute series in which Chris Tarrant looks at how trains shaped modern Britain.
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Features
This time it's personal
Broadcasters and content owners are learning from the likes of Amazon and Netflix by overhauling their platforms to better engage viewers with content suggestions based on data and algorithm.
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Features
Jon Richardson: How to Survive the End of the World
Picture and audio post-production of the one-off comedy documentary in which comedian Jon Richardson examines his fears