Opinion – Page 20
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Leo Pearlman: The industry overlooks the north east at its peril
The TV sector stands to reap significant benefits if it follows Fulwell 73’s lead and invests in this incredible region
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Christopher Yip: TV must trust people of colour to tell their own stories
The industry needs to embrace the wealth of talent that exists if it wants to make honest, authentic shows
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Chloe Sarosh: Why we need new voices in natural history
Wildstar Films’ executive producer explains why increasing diversity in wildlife films is crucial
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Tweaks to distribution models point to more flexible future
Format deals are back with a bang thanks to the fresh thinking and bold partnership behind The Traitors
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Factual leads the charge in Cannes
“Unscripted programming is the driving force as documentary accounts for half our Hot Picks”
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Competition in the streaming business is growing FAST
Revenues from free-ad supported TV channels are predicted to triple by 2027 and the battle is on to win the biggest share, says Kate Bulkley
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It’s time for an overhaul of TV ratings
Pierre De Lannoy, EMEA Strategy Director at MiQ on how TV ratings need to keep up with changing viewing habits
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Will Hanrahan: look to journalists when setting true crime standards
Established journalistic good practice balances ethical conundrums with exposing wrongdoing – so let’s not reinvent the wheel
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What can Wrexham’s Hollywood takeover teach other sports brands?
Chris Whitson, global head of strategy at creative agency Iris, explains how other rights holders could follow in Wrexham’s footsteps
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Job uncertainty threatens progress made on diversity
Great strides have been made in attracting people from diverse backgrounds – but now we need to keep them, says Lorraine Heggessey
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Julia Lopez: Let’s make sure the UK keeps making brilliant kids’ TV
The DCMS minister explains how the government plans to ensure children can continue to access inspiring, life-enriching British-made content
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Talent crunch poses questions we desperately need to answer
The logjam has finally eased off – so now is the time to get stuck into practical solutions
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Bumps along the road to recovery
‘Given what we have all endured, there is much to celebrate in this year’s survey’
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Making the South West a VFX and creative production hub
Lux Aeterna’s James Pollock outlines the work of the MyWorld project to bring high-end R&D to the region, especially around AI and real-time rendering
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How Five Mile brought fixed rig to The Dog Academy
Executive producer Adam Chapman reveals why Five Mile Films went with fixed rig production
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The key to not ruining a good series: knowing when to stop
It’s tempting to continue season after season with a hit series, but that’s when you put its legacy at risk, says Danny Brocklehurst
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Breathing exercises can’t fix production’s mental heath crisis
Instead of mindfulness tips, production companies and broadcasters should be offering up the cash to make workloads manageable, an anonymous freelancer says
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Robin Elias: We forget the sacrifices of frontline news teams at our peril
20 years on from the start of the Iraq war, the International News Safety Institute chair reflects on colleagues he’s lost and the value of their work
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AI – boon or bane?
Andre Torsvik, Vizrt VP of product marketing, analyses possible uses for AI in TV production
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Can cloud tech help broadcasters recalibrate news content to meet user demand?
Olivier Bovis, head of media solutions at Sony Europe argues broadcasters can glean important insights from how users engage with news content on social media and how cloud technology can assist