All Comment articles – Page 34
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CommentThe A-Z of life in post-production during lockdown
The Farm Group commercial director Charlotte Layton shares an A-Z of working at the facility during the pandemic
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CommentBectu chief: the onus is on the white majority
The privileged must use their positions of power to deliver real change, says Philippa Childs
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CommentWhat Ashford International Studios will mean for Kent
Gavin Cleary, CEO at Locate in Kent on what impact the Ashford International Studios development is likely to have on the county
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CommentTurning the advertising ignition
Market on road to recovery as car showrooms open their doors
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CommentTime to turn statements of support into actions
Black Lives Matter must be catalyst for genuine change
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CommentMy Mentor: Tim Whitwell on Pat Llewellyn
Formidable but fabulous, Pat Llewellyn was a TV powerhouse with a touch of class, says Tim Whitwell
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CommentBroadcasters have gone backwards on inclusion
Diversity of headcount is not enough - TV must find ways to empower BAME staff, says Marcus Ryder
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CommentPandemic will breed new creativity
If TV returns to ‘normal’, we will have squandered a unique chance to innovate in our industry, says Nicola Ibison
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CommentHow VFX can aid productions in a post-Covid world
MPC VFX supervisor Gary Brozenich on the role of VFX in enabling productions to shoot in a smarter, safer way
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CommentHints of progress after a brutal few weeks
Indie sector on tenterhooks as it edges towards getting back to work
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CommentAn important part of our media landscape has gone dark
Surge in Unidentified viewing leaves industry searching for answers, writes Attentional’s David Graham
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CommentMy Mentor: Lucie Ridout on Nick Metcalfe
Following the lessons I learned from Nick Metcalfe has helped me every step of the way in my career, says Lucie Ridout
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CommentProtect creativity and the future could be perfect
Covid-19 poses commercial challenges for producers and distributors but there is opportunity ahead if we are collectively smart, says Jimmy Humphrey
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CommentBBC3 linear return is investment in corporation’s future
By creating watercooler moments, the youth channel could help BBC compete with Netflix, according to Studio BE chief Brandon Relph
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CommentHitting a century: the benefits of a high volume returner
Inside the Ambulance has transformed Brown Bob and given us confidence to spread our wings, says Jacqueline Hewer
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CommentThe puzzle of BBC3’s move back to the future
Younger viewers’ habits at odds with linear resurrection
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Comment‘The pandemic has shown that industry can be fairer’
With coronavirus forcing the industry online, regional workers have been handed an unexpected advantage, says Perjeet Aujla
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Comment‘Charity runs have offset anxieties’
Running 31 half-marathons in 31 days has eased anxieties over work and focused my mind on positives, says Adam Badrawy
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CommentLockdown is hard on young TV staff
Working from home with my adult children has reminded me of how lockdown is affecting our younger staff at Arrow, says Nick Metcalfe
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Comment‘I hope this period will spark change in the industry’
The failure to help freelance producers has hurt financially but current events could spark a production processes review, says Cheri Darbon