Comment – Page 32
-
CommentMental health behind the screen is at crisis levels
Not enough action is being taken to improve the mental health of post house talent, says Zeb Chadfield
-
CommentIndustry must stand together to stamp out harassment
More anti-bullying measures and a truly united front could give workers greater confidence to raise concerns
-
CommentDon’t let indie TV become the new ESL
There are many parallels between the shape of the UK production sector and the failed European Super League project says Danny Fenton
-
CommentMocap in the cloud: The future of motion capture
Rob Löring, senior business director of 3D body motion at Xsens, takes a look at what could be next for motion capture.
-
CommentVFX and the virtualisation of content
David Ingham, client partner, media and entertainment at Cognizant explains how visual effects are opening up ever more creative options for producers
-
CommentStuart McDonald: a personal tribute
Richard Woolfe remembers an outstanding director and a dear friend
-
CommentMagic Hands: setting an example for the younger generation
Execs tackled racism in the deaf community in first UK kids series to feature a majority deaf, black crew and presenting lineup
-
CommentOriginal voices on Coronation Street
David Proud sets out how he combined ‘wheelchairs and cobbles’ with great success
-
CommentSystematic change is needed for dignity at work
Resource must be allocated if harassment is to end, says Bectu head Philippa Childs
-
CommentYoung diverse talent will ensure docs continue to thrive
Documentaries create debate and offer fresh perspectives – they can only be enhanced by including more voices, says Lorraine Heggessey
-
CommentLack of diversity is a market failure
Monopsony theory teaches us why broadcasters fight over Steve McQueen but the rest of the industry remains remarkably non-diverse, says Marcus Ryder
-
CommentWe must give young talent the opportunity to hone their skills
The industry should provide training and allow people to make mistakes rather than reject them because they lack experience, says Ruth Pitt
-
CommentMeetings are magical – but new ways of working are here to stay
Remote working has been a boon for many in the industry and it would be a shame to lose that flexibility
-
CommentCommissioning is a lottery – there must be a better way
In a world of measurement and big data, why does a green light still come down to luck, politics and personal opinion? asks Ash Atalla
-
CommentWhen adapting IP, channel your inner Bear Grylls
Collaboration, compromise and teamwork are crucial when transposing IP from one medium to another, says Giuliano Papadia
-
CommentHelping kids understand autism through TV
Our Cbeebies series Pablo has become a great tool for explaining how people interpret the world, says Gráinne McGuinness
-
CommentThe door to wildlife TV is open to the LGBTQI+ community
Things have come a long way since the “tokenisation and stereotypes” of the 90s, says wildlife presenter Dan O’Neill
-
CommentCCC: nations and regions takes centre stage
Creative Cities Convention co-founder Ruth Pitt gears up for this week’s launch
-
CommentTop 5 moments in interactive television
Co-founder and CEO of Charisma.ai, Guy Gadney selects his five favourite examples of interactive TV
-
CommentWhy TV needs a Spotify of streaming
We’re in the CD age of on-demand services but consumers demand more convenience, says Stu Watson