Features – Page 34
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Behind The ScenesThe Last Miners, BBC1
By rejecting the use of mini cams, gimbals and drones, we strove for visual honesty of life in the pits, says Wesley Pollitt
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Behind The ScenesInside The Ambulance, W
We wanted to get an intimate view of the ambulance crews. The solution: shooting on GoPro cameras and wrangling data in the back of a Volkswagon, says Jacqueline Hewer
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Behind The ScenesStacey Dooley: Guns, Girls and Isis, BBC3
Stacey Dooley has revealed her reasons for venturing into a war zone for the first time following the launch of her Isis-themed BBC3 documentary.
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The Broadcast InterviewAlisa Pomeroy, Channel 4
Channel 4’s documentaries commissioning editor talks to Miranda Blazeby about experimenting with form and subject matter – and why privatisation would put it all at risk
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Behind The ScenesAmerican High School, BBC3
Underprivileged students at a public school in America’s Deep South face huge challenges, but their sense of hope and determination was inspirational, writes Marcus Plowright
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Behind The ScenesBefore the Flood, Nat Geo
The ‘power of Leo’ compelled film-maker Fisher Stevens to return to the theme of climate change. The actor opened doors and made the topic sexy too, he tells Manori Ravindran
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Behind The ScenesHow the Box Was Born, BBC4
The first night of broadcasting was a variety extravaganza – The X Factor of its day – and recreating it was a daunting task, says Peter Gauvain
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Behind The ScenesTeen Mom UK, MTV
Zero fakery, an inspiring cast and gripping storylines with genuine emotion were key to replicating the appeal of the US format, says Fiona O’Sullivan
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The Broadcast InterviewGuy Slattery, Vice
Viceland’s UK ratings may not be giving its rivals sleepless nights, but general manager Guy Slattery says that bringing a new angle to broadcasting will reap rewards
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Behind The ScenesSAS: Who Dares Wins, Channel 4
We were warned that shooting in the jungle would be brutal, but with 40°C heat and 95% humidity, the reality was even worse, says Sophie Leonard
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The Broadcast InterviewBrooker and Jones: Netflix & chilling dramas
Black Mirror executive producers Charlie Brooker and Annabel Jones talk to Robin Parker about where they get their ideas, binge-watching – and what Netflix brings to the table.
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Behind The ScenesBlack Mirror, Netflix
From different episode lengths to unusual aspect ratios, Black Mirror’s move from C4 to Netflix has given the production and post teams freedom to experiment. Robin Parker reports
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The Broadcast InterviewStudio Lambert
With a slew of spin-off-spawning franchises, a healthy non-scripted order book and a fledgling drama division, Studio Lambert is on a high. So what’s next for the indie? asks Peter White
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Behind The ScenesPlanet Earth, BBC1
A decade after its groundbreaking series, BBC Studios’ NHU is again using cutting-edge techniques and technology to take the viewer right into the world of animals.
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Behind The ScenesThe Level, ITV
Having finally won the commission after seven years of trying, dive-bombing seagulls and disruptive jet-skiers were just some of the challenges we faced, say Polly Leys and Kate Norrish
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Behind The ScenesHooten and the Lady, Sky 1
Production on our action romp took us around the world in search of adventure, says Simon Winstone
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The Broadcast InterviewAlex Mahon, The Foundry
The Foundry chief executive Alex Mahon tells George Bevir what she has been doing since she joined the software firm 10 months ago, and why she believes VR will succeed where 3D failed
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Behind The ScenesInside British Vogue, BBC2
The opportunity to make a series about a major British institution doesn’t usually just fall into your lap, says Katie Buchanan
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Behind The ScenesSecrets of the SAS: In Their Own Words, Channel 5
Red Planet’s first factual commission demanded an astonishing level of trust in a closed-ranks organisation, says Dan Gold
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Behind The ScenesDara O Briain’s Go 8 Bit, Dave
Our comedy gameshow featuring celebrities taking part in lifesize versions of classic video games had to appeal to two different groups: hardcore gamers and the general audience, says Donald Taffner Jr.