All Broadcast articles in February 2024 – Page 9
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News
Rockerdale adapts French interview format for BBC1
The Assembly sees Michael Sheen grilled by neurodivergent interviewers
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News
Netflix top 10: 12 - 18 February
One Day, Love Is Blind, American Nightmare and Resident Alien all make this week’s most-watched list
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Behind The Scenes
Inseparable Sisters, BBC1
Producer and narrator Lucy Owen on making an intimate documentary exploring the story of conjoined twin sisters
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Ratings
Joe Lycett sewage doc plumbs 600,000
TUESDAY: Rumpus single unable to match comedian’s previous stunts about David Beckham and Shell
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Critics
Critics: Joe Lycett vs Sewage
“This was an unfailingly entertaining and informative summary of the shit we’re in”
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News
Sportian adds fan engagement head
Ottavio Mussari joins the LaLiga and Globant company from HBO Max
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News
In brief: ITV Original Voices; RTS bursaries; Sky News presenter; Banijay exit
Emerging writers chosen to work with Coronation Street and Emmerdale teams
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Sponsored
Global content with local challenges – overcoming the hurdles in multinational streaming
How Clipsource takes the metadata adaptation and distribution burden off your shoulders
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News
Joe Barton reimagines Mozart story for Sky
Writer reunites with Will Sharpe for Two Cities series on prolific composer
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News
42 signs former NBCU studios exec
David O’Donoghue joins indie behind The Girl Before and Who Killed Jill Dando?
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Podcast
Podcast: The EBU on its new D2C streaming service
EBU executive director for sport, Glen Killane, speaks about the organisation’s plans for Eurovision Sport
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News
Fremantle to buy Asacha Media Group
Super-indie prepares to purchase owner of Red Planet, Arrow Media and Wag
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News
Silverback to explore animal parenthood for BBC1
Next major natural history series in the works for Wild Isles indie
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News
Bectu boss issues urgent call to action on talent exodus
Philippa Childs says ‘time for warm words and platitudes has passed’
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Features
Fewer, bigger, better: Kate Philips unpacks BBC mantra
Unscripted director reveals how audiences have steered ‘painful’ programme cuts, but insists there is still space for features and lifestyle shows