Indies Comment – Page 16
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Smart scheduling boosts Bodyguard
Double-ep debuts and stripped shows help linear TV hold firm
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TV industry should plays to its strengths
The changing landscape should be viewed as an opportunity
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MacTaggart was a kick in guts
Pressure of not fitting in can be hard to stomach for outsiders
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Indies can thrive in online world
Professionalism and creativity will help to overcome challenges ahead, says Victoria Powell
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Regional renaissance rolls on
“The opportunity to become the home of C4 is symbolically, creatively and commercially worth its weight in gold”
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UKTV can be key to PSB alliance
Ownership and future strategy is just as important as Virgin Media spat, says Kate Bulkley
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Disrupted future is bright for producers who adapt
Digital services will shape TV and producers must embrace the change, says Sam Barcroft
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Regional indies can prosper from co-pro strategy
Broadcasters will also be able to fulfil out-of-London quotas, says Stephen Stewart
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PSBs realise strength in depth
Joining forces is the only effective way to deal with digital rivals
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Benefits of the DIY approach
A new business model is helping producers retain IP and dominate ratings, says Henry Scott
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Drama strategy needs a rethink
As production costs rise, free-to-air broadcasters will struggle to compete, says Simon Cornwell
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New talent hits back of the net
Scott and Aluko show that it is worth taking a risk on fresh faces
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Studio Lambert: 10 years in the making
As Studio Lambert reaches its 10th anniversary, founder Stephen Lambert considers some of the indie’s most pivotal shows
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Female directors have it tougher than they used to
Trend for freelancing makes having a family much more difficult, says Katie Buchanan
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Diversity key to representation
Widening the workforce will lead to more nuanced programming
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Online docs have come of age with the rise of new platforms
The range of outlets with money to spend at Doc/Fest is telling, says Derren Lawford
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Voiceover should not be the default option for docs
A useful technique in directors’ bag of tools has been blunted by overuse, argues James Rogan
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How we're preparing to broadcast the 'biggest' music festival
The Biggest Weekend is unlike any live music event the BBC has put on before, says Alison Howe
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There’s nothing risky about employing diverse talent
It’s time broadcasters took their cue from the US and put diverse shows in the heart of primetime