Indies Comment – Page 17
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CommentDisrupted future is bright for producers who adapt
Digital services will shape TV and producers must embrace the change, says Sam Barcroft
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CommentRegional indies can prosper from co-pro strategy
Broadcasters will also be able to fulfil out-of-London quotas, says Stephen Stewart
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CommentPSBs realise strength in depth
Joining forces is the only effective way to deal with digital rivals
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CommentBenefits of the DIY approach
A new business model is helping producers retain IP and dominate ratings, says Henry Scott
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CommentDrama strategy needs a rethink
As production costs rise, free-to-air broadcasters will struggle to compete, says Simon Cornwell
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CommentNew talent hits back of the net
Scott and Aluko show that it is worth taking a risk on fresh faces
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CommentStudio Lambert: 10 years in the making
As Studio Lambert reaches its 10th anniversary, founder Stephen Lambert considers some of the indie’s most pivotal shows
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CommentFemale directors have it tougher than they used to
Trend for freelancing makes having a family much more difficult, says Katie Buchanan
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CommentDiversity key to representation
Widening the workforce will lead to more nuanced programming
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CommentOnline docs have come of age with the rise of new platforms
The range of outlets with money to spend at Doc/Fest is telling, says Derren Lawford
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CommentVoiceover should not be the default option for docs
A useful technique in directors’ bag of tools has been blunted by overuse, argues James Rogan
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CommentHow we're preparing to broadcast the 'biggest' music festival
The Biggest Weekend is unlike any live music event the BBC has put on before, says Alison Howe
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CommentThere’s nothing risky about employing diverse talent
It’s time broadcasters took their cue from the US and put diverse shows in the heart of primetime
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CommentOpening doors and breaking down barriers
Those who don’t have industry connections need a helping hand, says Fiona Francombe
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CommentKatz eyes reset of indie relations
Collaboration is key to winning brutal battle for ideas and talent
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CommentNo better time to quit the capital
With regional production quotas rising, there’s no better time to move, says David Sumnall
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CommentWhy my series took a decade to get commissioned
Navy warship docs had to wait until the time was right, says Chris Terrill
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CommentA year in the life of a start-up
Getting our first commission over the line makes it all worthwhile, says Daniel Nettleton
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CommentNew dawn for out-of-London TV
The challenge now is to harness the energy to effect lasting change
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CommentTime's up for regional indie loophole
The industry must seize the chance to tighten up definition of out-of-London productions, says Cat Lewis