Indies Comment – Page 20
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CommentWhy old is gold for controllers
Stale shows survive because they rate well and prop up the schedule, says Steven D Wright
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CommentLock up this stale TV format
Factual entertainment is no way to examine the complexities of life in jail, says Mark Rossiter
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CommentAmazon is tearing up the script
After Whole Foods deal, selling TV to viewers will never be the same again
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CommentTrue crime is in a golden age
The genre has become much more than just a handy schedule filler, says Chris Shaw
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CommentBreathing life into launches
With more choice, is it harder to get new shows off the ground?
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CommentThe ethics of an indie marriage
Pragmatic partnerships gather pace but proper credit must be paid
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CommentTV can play a big part in influencing social change
Our doc was entertaining, but also raised key issues, say Arwyn Evans and Clare Jones
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CommentA catch to safeguard the future
Discovery’s acquisition of Scripps is a nod towards TV’s changing reality, says Kate Bulkley
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CommentThe key to winning Songs Of Praise
Enhanced performance capture and the stories behind the music were crucial, says Emyr Afan
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CommentAre there now too many indies?
While volume remains flat, more firms are competing for business
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CommentHiring disabled talent can be mutually beneficial
Better representation on screen starts with a more diverse team
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CommentIndies need to get creative in how they source finance
Thinking outside the box can get around budget constraints
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CommentBBC Studios faces tough balancing act
Hybrid structure is needed to straddle commercial and PSB worlds
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CommentCaitlin Moran: the etiquette of crowd-funding
Raised By Wolves could get a new lease of life - but Caitlin Moran has already had to learn a few lessons about the etiquette of crowd-funding
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CommentBig doesn’t always mean better
Don’t let drama’s scale fixation squeeze out the middle ground
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CommentOvernights still have their place
In today’s fragmented viewing world, a shared metric is important
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CommentSocial media and TV is a marriage made in heaven
Social players’ push into video shouldn’t be grounds for divorce, says Kerry Taylor.
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CommentC4 left to reflect on Black Mirror loss
Netflix deal with Endemol Shine has really stung, says Kate Bulkley