Indies Comment – Page 20
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Indies need to get creative in how they source finance
Thinking outside the box can get around budget constraints
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BBC Studios faces tough balancing act
Hybrid structure is needed to straddle commercial and PSB worlds
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Caitlin Moran: the etiquette of crowd-funding
Raised By Wolves could get a new lease of life - but Caitlin Moran has already had to learn a few lessons about the etiquette of crowd-funding
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Big doesn’t always mean better
Don’t let drama’s scale fixation squeeze out the middle ground
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Overnights still have their place
In today’s fragmented viewing world, a shared metric is important
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Social media and TV is a marriage made in heaven
Social players’ push into video shouldn’t be grounds for divorce, says Kerry Taylor.
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C4 left to reflect on Black Mirror loss
Netflix deal with Endemol Shine has really stung, says Kate Bulkley
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Stability returns to market
After much consolidation the previous year, 2015 was a relatively quiet period for ‘true indies’. But while the economics are improving, long-term sustainability remains a problem for many
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Why The X Factor remains on song
Executive producer Richard Holloway explains why The X Factor remains part of the fabric of the nation, despite declines in ratings and reports of the show’s demise
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Keeping SVoD in perspective
Netflix and Amazon are about subs not viewers, says Kate Bulkley
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Alex Graham: madness to strip BBC of formats
The former Wall to Wall boss responds to ITV’s call for a ban on formats on the BBC.
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Next-generation development training
Warner Bros TV Production managing director Nick Emmerson on nurturing development talent.
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Let's make TV greener
Sustainable production is getting easier all the time. It’s time to make it the norm for our industry, says Hattie Park
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Navigating to a better service
As Netflix shows, success isn’t just down to content, says Kate Bulkley
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Drama has never had it so good
Everyone is getting in on the act as genre enjoys a global boom
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Comedy execs on... Blaps, troupes & Psychobitches
Phil Clarke, Myfanwy Moore and Ben Cavey reveal the successful ingredients of a hit comedy.
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Jane Turton takes All3 into a new era
Appointment means super-indie can emerge from a hiatus, says Chris Curtis
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Comment: Fixed-rig is evolving fast
What next for the genre Dragonfly started with The Family in 2008, asks Sarah Swingler
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Traits a super-indie boss needs
All3Media requires a strategic thinker, not necessarily a ‘creative’