All Indies articles – Page 128
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News
Spun Gold secures Bafta Awards contract
Displaces Done + Dusted and Whizz Kid after a combined 25 years-plus relationship
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News
Slow Horses indie 60Forty hires Ink Factory exec
Deep State producer Tom Nash joins Hakan Kousetta and Jamie Laurenson’s high-end scripted outfit
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Features
Hot Shots 2022: Development
Dean Webster, Tom Price, Dorsa Nam, Harald Lummis, Jacqui Baker, Jack Browne, Alice Boorman, Hollie Abbott, Samuel R Palmer, Jack Dargov
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Features
Sam De Villiers
‘Her grasp of the clearance process is well beyond some of the most experienced series producers’
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Features
Krizzah Policarpio
‘Krizzah is someone really going places and we just hope we can hang on to her coat tails’
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Features
Jack Retallack
‘I was impressed with Jack’s strong natural eye and visual flair as a director’
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Features
Hot Shots 2022: Production managers
Kitty Toon, Rebecca Hathway, Sam De Villiers, Krizzah Policarpio
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Features
Zara Powell
‘Zara is at the top of her game in every role and project. She is on a meteoric trajectory within the industry’
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Features
Riva Japaul
‘Her enthusiasm, emotional intelligence and editorial instincts are a powerful combination’
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Features
Rebecca Hathway
‘Rebecca will no doubt keep climbing the production management ranks until she hits the top’
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Features
Alice Boorman
‘Alice is an incredibly hard-working, genuine and confident team player, who can put her hand to any task’
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Features
Trent Williams-Jones
‘Trent is a real talent. His taste, judgement, commitment to vision and overall nous is unchallenged’
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Features
Rebecca Arnold
‘Her teams love working with her – she is clear, collaborative, caring and leads by example’
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Features
Alex Thomas
‘He has that genuine curiosity and derring-do that you need to make compelling films – and he shoots beautifully’
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Features
Jack Dargov
‘In his short time with us, Jack has already elevated our work enormously. He’s bound for the greatest of things’
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Features
Tasha McLintock
‘Tasha has razor-sharp judgement, a proven track record of excellent storytelling and thrives around the edit’