Opinion – Page 82
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CommentMike Darcey: Sky's stand off with Netflix
The former Sky chief operating officer analyses why the pay-TV operator and SVoD giant have failed to make friends.
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CommentHunted, C4
Capturing footage of contestants for C4’s Hunted required some special kit, says Shaun Wilton
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CommentEntertainment rises to challenge
Studio formats and comedy chat shows are hot on drama’s heels
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CommentEthnic diversity: are we missing the story?
Statistics don’t reveal the full picture, but still raise important questions, says David Graham
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CommentChange will only come by giving new voices a platform
ITV2’s Fresh season is giving people what they want by diversifying content, says Fraser Ayres
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CommentCould you help to shape the industry?
The Pact Council needs everyone from start-ups to TV veterans, says Laura Mansfield
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CommentFrom connectivity to content
Liberty is switching strategy to keep up with rivals, says Kate Bulkley
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CommentCompetition on the Croisette
Mood upbeat as opportunities abound despite glut of indie start-ups, says Chris Curtis
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CommentCaitlin Moran: the etiquette of crowd-funding
Raised By Wolves could get a new lease of life - but Caitlin Moran has already had to learn a few lessons about the etiquette of crowd-funding
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CommentA great market in store
Mipcom is the biggest international television event of the year and Broadcast, with our increased focus on the international sector, has responded by dedicating an 88-page issue – one of the biggest of the year – to all things global.
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CommentMip is still a must-attend event
The market has changed, but Cannes continues to be the place to strike deals, says Ben Barrett
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CommentWelcome to ‘The New Normal’
Brexit changes everything, but it’s not all gloom, says Frank Radice
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CommentSVoD players come into the fold
Traditional broadcasters are seeing the benefits of Netflix and Co
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CommentThe changing role of the broadcast engineer
Broadcast engineers are no longer just boffins who configure kit, says John Maxwell Hobbs.
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CommentKit evolves, but the art of storytelling remains key
Natural history film-making is about more than drones and UHD, says Paul Reddish
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CommentYou have to think on your feet to sell niche content
Finding gems overlooked by bigger firms is what it’s all about, says David Cornwall
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CommentContent rules for US giants
Pipeline and distribution are top of the agenda, says Kate Bulkley
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CommentEveryone needs a flagship show
Long-running series are key in an increasingly on-demand world
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CommentThere is no need to fear the ‘unknown’ of disability
TV employers should be more open to Access to Work, says director Sebastian Cunliffe