All Broadcast articles in 21 February 2020 – Page 2
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Behind The Scenes
How Nutopia made Babies for Netflix
Finding scientists who met our exacting criteria was our biggest challenge
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Video
Flesh & Blood, ITV
Silver Print Pictures drama about a family broken open by a revelation from their mother
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News
Screen Yorks investment chief joins C4
Hugo Heppell appointed senior portfolio manager of Growth Fund
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Comment
Mental Health: views from TV’s frontline
THURSDAY: Adeel Amini calls for broadcasters to provide psychological aftercare for production staff
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Ratings
Redknapp joined by 4m in Sandbanks
WEDNESDAY: I’m a Celeb winner’s tour of the seaside resort drew level with Harry’s Heroes
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News
Elstein & Enders: First year of DG’s reign crucial
Grandees urge Hall successor to set out clear plans ahead of Clementi departure
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News
Kloiber Jr. on track to launch Night Train
German outfit launches with NENT partnership and will focus on English-language projects
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News
A+E UK and Sky relaunch History
Sky History to receive commissioning injection and Now TV distribution
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News
C4 orders bumper batch of Beat the Chef
Twofour and Motion Content Group to produce 30-part run of teatime format
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Video
Meet the Richardsons, Dave
Married comedians Jon Richardson and Lucy Beaumont give viewers a glimpse into their home and work lives. Produced by Second Act Productions
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News
British dramas vie for Series Mania success
Lille event’s competition includes world premieres of Adult Material and Little Birds
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Comment
How video is changing the behaviours of consumers and audiences
Imagen VP product marketing Ian Mottashed reveals the agenda for the company’s annual Tech Summit
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News
S4C opens up 9pm slot
Moves news bulletin to 7.30pm to clear decks for hour-long factual and drama
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News
Sky Studios settles in Fremantle’s Apartment
Pay-TV operator to fund three projects as part of multi-year development deal
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News
Noel Clarke indie scores debut TV commission
Unstoppable lands four-part thriller from Channel 5
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Sponsored
Relocation is good for everyone
Shifting TV’s centre of gravity outside of London will help to improve creativity and diversify the industry, says Ruth Pitt