Comment – Page 18
-
CommentBumps along the road to recovery
‘Given what we have all endured, there is much to celebrate in this year’s survey’
-
CommentMaking the South West a VFX and creative production hub
Lux Aeterna’s James Pollock outlines the work of the MyWorld project to bring high-end R&D to the region, especially around AI and real-time rendering
-
CommentHow Five Mile brought fixed rig to The Dog Academy
Executive producer Adam Chapman reveals why Five Mile Films went with fixed rig production
-
CommentThe key to not ruining a good series: knowing when to stop
It’s tempting to continue season after season with a hit series, but that’s when you put its legacy at risk, says Danny Brocklehurst
-
CommentBreathing exercises can’t fix production’s mental heath crisis
Instead of mindfulness tips, production companies and broadcasters should be offering up the cash to make workloads manageable, an anonymous freelancer says
-
CommentRobin Elias: We forget the sacrifices of frontline news teams at our peril
20 years on from the start of the Iraq war, the International News Safety Institute chair reflects on colleagues he’s lost and the value of their work
-
CommentAI – boon or bane?
Andre Torsvik, Vizrt VP of product marketing, analyses possible uses for AI in TV production
-
CommentCan cloud tech help broadcasters recalibrate news content to meet user demand?
Olivier Bovis, head of media solutions at Sony Europe argues broadcasters can glean important insights from how users engage with news content on social media and how cloud technology can assist
-
CommentRebecca Thompson: Indies are facing a perfect storm and C4 wants to help
The head of indie relations at Channel 4 on why broadcasters have a key role to play in supporting the indie sector
-
CommentJoanna Carr: In an increasingly turbulent world, we need brilliant current affairs
Powerful reporting that delves behind the headlines has never been more necessary - fortunately, TV journalists are delivering
-
CommentVine FX: Why we moved out of Soho
Michael Illingworth of Vine FX explains his company’s journey out of Soho to Cambridge while establishing a global workforce
-
CommentCharlene Chika Osuagwu: ‘Paula’ shows how much still needs to change
The producer of Curious Films’ Paula Yates doc reflects on the questions the film raises over the treatment of women in the public eye
-
CommentWhy do BBC’s editorial guidelines still carry foreword by Tony Hall?
Staff are raising the question because the guidance is fronted by DG who left almost three years ago, writes Tara Conlan
-
CommentCITV closure not surprising but ITV’s attitude to children’s TV is “unfathomable”
Children’s Media Foundation director Greg Childs says ITV’s approach is a “big mistake”
-
![The Bond canalside[47]](https://d11p0alxbet5ud.cloudfront.net/Pictures/100x67/7/5/5/1392755_thebondcanalside47_756801.jpg)
CommentNeil Duncanson: How Create Central is turning Birmingham into a global media player
The opening of the Bond creative hub is a key step in reinvigorating the West Midlands’ TV industry and inspiring the next generation of local talent
-
CommentVicki Lines-Gibbs: I yawn a lot, don’t take it personally – MS, TV and me
The creative director of Gritty Talent highlights how flexible working supports her as a disabled woman - and why it benefits the whole industry
-
CommentRTS Journalism Awards’ ‘smattering of colour’ fails to mask uncomfortable truth
The journalism that is most valued by the industry and shapes national British debates remains overwhelmingly white, writes Marcus Ryder
-
CommentMatt Laycock: Data on shows’ streaming performances can offer valuable insight
Understanding how viewers are consuming streamed content can inform industry decisions on metrics and strategy, says Barb’s audiences director
-
CommentFatima Salaria: We would all benefit from taking time out to recharge
Burnout is a very real problem in this industry and those in need of a break deserve support
-
CommentTo box set or not? Industry grapples with release dilemma
A more balanced approach appears to be emerging as broadcasters experiment with different strategies