Comment – Page 33
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CommentThe intellectual property issues of volumetric video
Graeme Murray at Marks & Clerk discusses potentially thorny legal issues to do with the way the viewer engages with volumetric content
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CommentProducers must follow duty of care rule changes
Ofcom safeguards make clear indies must ensure contributor welfare, says Nigel Abbas
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CommentWhy it’s crucial to hire from diverse backgrounds
The BBC’s new production staff quotas don’t solve all problems but are a step in the right direction, says Steve Wynne
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CommentTV should lead the way on ending workplace bullying
We have a duty of care to each other and our industry should be ahead of the curve in calling out bad behaviour, says Jane Perry
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CommentNurturing Would I Lie to You
Peter Holmes and Rachel Ablett, the husband and wife team behind BBC1’s comedy panel show, reveal how they keep the magic of the series alive
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CommentQuotas to the fore as Davie’s change agenda gathers pace
The BBC is to produce more shows outside of London, but devolution of commissioning power is unclear
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CommentSketch comedy is flourishing but needs more space to shine
Young talent are breathing new life into a genre that looked dead and buried just a few years ago, says Lorelei Mathias
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CommentLockdown lesson: if you wanna get ahead, get a shed
Garden working has been great, but I’ve had to swap Channel 4 for Naked without meeting my colleagues, says Fatima Salaria
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CommentWe must pressure government to do right thing on prominence
Broadcasters have to work with the global streamers or risk becoming irrelevant – but they have an ace up their sleeve
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CommentMuch to admire as indies battle hard
‘This year’s Indie Survey is testament to a brilliantly hardy industry that kept battling, and found a way to get things done’
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CommentWe have the power to stop industry bullying
Happier workplaces create stronger and more creative productions, says Shayna Waldman
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CommentThe doors to equality are beginning to open
There is room for cautious optimism as the conversation sparked by BLM continues into 2021, says Real Full Monty exec Ashley Banjo
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CommentFemale directors: fighting for recognition
Friends warn us to deny our families to ensure we’re heard, but the best commissioners cherish talent, writes Cosima Spender
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CommentVFX Trends – what’s hype and what’s not
David Cordon, head of TV and film, Flipbook Studio discusses the pros and cons of recent trends in VFX production
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CommentLet slow-burn series warm up
Are we losing potential classics over demand for immediate hits, asks Dan Sefton
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CommentHow indies can get Brexit secure
The double whammy of exiting Europe and the pandemic impacts producers profoundly, but there are solutions, says Val Cazalet
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CommentDocs: the rock stars of non-fiction
Global non-fiction in film and TV is booming and British sensibilities mean indies can lead the way, writes Kate Collier
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CommentRise of the Machines: AI in Media
Rickard Lönneborg, CEO at Codemill on what developments need to happen in AI and ML to maximise their benefits for media workflows
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CommentIWD: Celebrating women in VFX
Alex Coxon profiles some outstanding women working in the VFX sector
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CommentIWD: VineFX celebrates women working in VFX
The company profiles 11 female professionals working at the visual effects house