Drama Features – Page 2
-
Behind The ScenesAn t-Eilean, BBC Alba
Executive producer Arabella Page Croft on making the UK’s first-ever high-end Gaelic drama series a reality
-
-
Behind The ScenesHow a medical grounding and page-turner mentality helped shape Playing Nice
Going inside Rabbit Track’s ITV baby-swap thriller
-
FeaturesDavid Singleton: One Day (Drama Republic and Focus Features for Netflix)
“It was brilliant and beautiful and heartwarming”
-
FeaturesRichard Middleton: The Day of the Jackal (Carnival Films for Sky Atlantic)
“This is a classy show that commands attention”
-
FeaturesMarian McHugh: The Traitors (Studio Lambert for BBC1 and other versions)
“No other show this year has had me constantly on the edge of my seat at every turn”
-
FeaturesJohn Elmes: Shōgun (DNA Films, FX Productions, Gate 34 Productions, Michael De Luca Productions for FX)
“The acting, the cinematography, the sheer beauty of the setting – it slaps”
-
FeaturesTom Williams: Ripley (Netflix)
“The thriller showcases breathtaking cinematography which transports you into Tom Ripley’s slowly crumbling world of luxury, deception, and danger”
-
FeaturesPaul Weatherley: Industry (Bad Wolf for HBO and BBC1)
“The final episode took so many turns I really didn’t see coming”
-
FeaturesHeather Fallon: The Penguin (HBO/Sky Atlantic)
“You know a show is good when you catch yourself watching YouTube breakdowns afterwards”
-
FeaturesUKTV seeks the unexpected for drama and factual refresh
Broadcaster is on the hunt for bingeable, noisy, edgy ideas that can cut through, with novel talent attached
-
Behind The ScenesCasualty Christmas special, BBC1
Executive producer Roxanne Harvey on using real-life testimonies to raise awareness of blood donor shortages
-
FeaturesFirst look: The Death of Bunny Munro, Sky Atlantic
Clerkenwell Films, in association with Sky Studios, six part series starring Matt Smith
-
FeaturesUK drama: Tackling the cost conundrum
As the debate over funding for the genre heats up, here is a reminder of Broadcast’s analysis from late last year
-
FeaturesCarnival Films: Aiming for global glory in drama
Gareth Neame and Nigel Marchant on creating Sky’s biggest ever original drama in The Day Of The Jackal, and their plans for global glory
-
FeaturesJoe Barton: how Black Doves came together was crazy
Writer talks whirlwind of Keira Knightley Netflix series and enigma of SVoD algorithms
-
FeaturesCracking the case of Sherlock's enduring longevity
Sherlock & Daughter creator Brendan Foley explores what continues to draw audiences – and commissioners – back to the enigmatic detective
-
FeaturesHow Gogglebox inspired Bad Sisters series two
Sharon Horgan and head of drama Faye Dorn reveal their inspirations
-
Behind The ScenesBack From The Dead: Who Kidnapped Me? U&W
Series director and producer Susanna Herbert on bringing a true crime story that’s stranger than fiction to life
-
FeaturesGeneration Z scribe tells how Covid coloured the comedy
Writer and director Ben Wheatley discusses soon-to-air Channel 4 zombie series