All Features articles – Page 170
-
Features
Hot Picks: Victoria
It seems unfair that Queen Victoria has become cemented in 21st century minds as the double-chinned, cranky looking sourpuss depicted in pictures of the time.
-
Features
Hot Picks: Marcella
The meteoric rise of dark Scandinavian dramas including The Killing and Borgen paved the way for Swedish writer Hans Rosenfeldt to create global smash The Bridge in 2013.
-
-
Features
Diversity: writing and directing
Tackling the lack of diversity in writing and directing TV needs more than lip service. Robin Parker reports on efforts to get new voices in front of producers and commissioners
-
Features
CBBC idents and logo
Develop a design proposition for CBBC that allows it to evolve and grow with its audience while remaining relevant to both its youngest and oldest viewers.
-
-
Features
My Life: Our Big Elephant Rescue
Online edit, audio mix and grade for the story about two children who help a mother elephant and her baby return to their natural home.
-
Features
The reality of Korean co-pros
South Korea is becoming an increasingly attractive co-production partner for British indies but what does the reality of such an alliance involve and what’s currently hot Korea? Ann-Marie Corvin reports from the UK-Korea Creative Industries Forum.
-
Features
ESG dominates after merger
Turnover dwarfs that of nearest rival as Endemol Shine Group reports combined figures for the first time, but drama acquisitions are boosting All3Media. Neil Midgley reports
-
Features
Discovery: all change
The international factual broadcaster worked with 70 UK producers, down from 78 the previous year.
-
Features
Tough times outside London
Out-of-London indies suffered a 21% drop in revenues in 2015 on average and produced nine hours less TV.
-
Features
UKTV: embracing ideas
A watershed year for UKTV, which doubled the number of hours ordered from its top supplier to capitalise on the success of US format Storage Hunters.
-
Features
Sky: original focus
Sky has “blown right through” its commitment to spend £600m a year on British programming, according to managing director of content Gary Davey.
-
Features
Channel 5: making progress
Channel 5 is a broadcaster in transition, and while many of its main suppliers remained the same in 2015, it has started to get to grips with life under its new owner.
-
Features
Channel 4: creative comeback
Channel 4 has gone up in the indie community’s estimation, with survey respondents naming it this year’s best broadcaster to deal with.
-
Features
ITV: losing ground
ITV’s sturdy performance on indie relations in recent years is a source of much pride for former director of television Peter Fincham.
-
Features
BBC: falling behind
The BBC has dropped to third place in the best broadcaster to work with ranking this year, and tops the worst broadcaster to work with list for the first time since 2013.
-
Features
Watershed moment for TV
BBC Studios, charter renewal and a potential privatisation of Channel 4 are the big issues for indies in this year’s survey as fears grow over government tinkering in ‘distinctive’ TV
-
Features
Game on for sport OB firms
Outside broadcast suppliers are in a race to upgrade to Ultra High Definition and IP as the technology teeters on the cusp of becoming mainstream.
-
Features
The new crop of hit-makers: ones to watch
With credits including BBC1 Le Carré thriller The Night Manager, Sky 1 music panel show Bring The Noise and C4’s Formula 1 coverage, we profile 10 UK indies on their way up