All Features articles – Page 174

  • Spot Bots, BBC1
    Features

    Spot Bots, BBC1

    2016-02-04T07:40:00Z

    Picture and audio post on 26 x 15-minute Cbeebies in which viewers are encouraged to join in with the games and puzzles played by a family of animated robots.

  • Sugar Free Farm
    Features

    Sugar Free Farm, ITV

    2016-02-04T07:30:00Z

    Audio, online and grade for a 3 x 60-minute series in which celebrities live without sugar on a farm.

  • Happy Valley, BBC1
    Features

    Happy Valley, BBC1

    2016-02-04T07:30:00Z

    For the second series of the 6 x 60-minute drama, the post team was asked to fi nd beauty (where possible) to offset the darkness.

  • Kidscreen
    Features

    Kidscreen 2016: Welcome to Miami

    2016-02-01T09:15:00Z

    Greg Childs, editorial director of the Children’s Media Conference (CMC), is leading a UKTI-backed delegation to the Kidscreen Summit in Miami on 8 February. Broadcast asked him about what to expect

  • Robert Banks Stewart
    Features

    Robert Banks Stewart: 1931 - 2016

    2016-01-28T15:59:00Z

    The Bergerac creator will be remembered for much more than casting Catherine Zeta-Jones in The Darling Buds of May.

  • QI
    Features

    Talkback

    2016-01-28T14:53:00Z

    “A culture that encourages conversation”

  • Landscape Artist Of The Year
    Features

    Storyvault Films

    2016-01-28T14:49:00Z

    “An environment in which creative people can be creative”

  • island
    Features

    Shine TV

    2016-01-28T14:39:00Z

    “People are as important as the programmes we make”

  • Benny-Hill---Main-Image
    Features

    Is sexism still rife in TV?

    2016-01-28T12:14:00Z

    A report commissioned by Channel 4 diversity executive Oona King shows that television is ‘awash’ with low-level on-screen sexism. Lisa Campbell takes a look at the findings

  • Cocineros-Al-Volante
    Features

    Global formats head to DC

    2016-01-28T11:44:00Z

    Ahead of next week’s Realscreen event, Peter White looks at the non-scripted formats and reality series creating the biggest buzz, from true-crime docs to LGBT-themed shows

  • The Best Places To Work In TV 2016
    Features

    The Best Places To Work In TV 2016

    2016-01-28T10:40:00Z

    The 17 companies that have made The Best Places To Work In TV 2016 list are a varied bunch. They range in size from 19 staff to 97 and include 13 indies operating across most key genres, two facilities companies and two specialist broadcasters.

  • crowd
    Features

    Employee satisfaction: The key to a happy company

    2016-01-28T10:39:00Z

    Job satisfaction, the ability to make decisions and, most of all, having fun are vital elements in keeping TV staff happy and motivated, according to our survey. Robin Parker reports

  • Whats Up
    Features

    Diversity: Broadening the workforce

    2016-01-28T10:36:00Z

    Staff diversity and support for those with disabilities are key to being a Best Place to Work

  • icon-films
    Features

    Employee benefits: Perks and recreation

    2016-01-28T10:34:00Z

    From free food to social events and exercise facilities, the best employers look after their staff

  • OBEM
    Features

    Dragonfly Film & TV

    2016-01-28T10:33:00Z

    “A flexible approach empowers and gets the best from individuals”

  • Meet The Orangutans
    Features

    Blink Films

    2016-01-28T10:33:00Z

    “When our staff have a good bond, they can produce work of a high standard.”

  • HIGNFY
    Features

    Hat Trick Productions

    2016-01-28T10:30:00Z

    “The corollary of working hard is for talent to be recognised”

  • 24 Hours in Police Custody
    Features

    The Garden Productions

    2016-01-28T10:30:00Z

    “We empower, inspire, train, review, communicate, expect a lot, reward fairly”

  • River Monsters
    Features

    Icon Films

    2016-01-28T10:30:00Z

    “We arrange great parties, and work tirelessly to bring in the work”

  • grantchester
    Features

    Kudos TV

    2016-01-28T10:29:00Z

    “Passion is essential, and as long as someone has that for a project, we are happy to develop it”